Diane says: “This is my 5th film ‘at’ Sundance. “David Zonana’s sophomore feature as writer/director shows a lot of talent. He said in his intro that he’s been able to find his style in this second film. “Luís, an Indigenous
Diane says: “My 4th film ‘at’ Sundance. I’m thinking that maybe it wasn’t a good idea for Alice Englert (daughter of our esteemed Jane Campion) to go all in as writer, director, co-lead, and composer of this mother-daughter-themed film. “Jennifer
Diane says: “My third film ‘at’ Sundance: “Young Indonesian rapper James arrives in Hawaii to record his first album. He’s recently dumped his father as manager, replacing him with a much more savvy woman from LA. But Dad won’t stay
Diane says: “STILL SMALL VOICE is my second film at virtual Sundance. “I watched this doc about hospital chaplaincy because I went thru some of that training myself. Because chaplaincy training involves so much inner work (for both students and
Diane says: “Based on a story that appeared in the New Yorker a few years ago and ignited controversy, this 2-hour adaptation takes us out of the narrator’s head and pushes Margaret Atwood’s observation as far as it can go:
Brett says: “The documentary LOVE TO LOVE YOU, DONNA SUMMER accomplishes what most expect from a film about a famous pop icon in offering an audience the familiar trajectory into fame while exposing (part of) the behind-the-scenes person living in
Michael says: “After the razor sharp humor and directorial hand Seligman displayed in her debut feature, SHIVA BABY, coupled with the comic luminescence of lead actor Rachel Sennott, I was very eager to see what they would come up with