Jason says: “At times, it’s a bit hard to grasp that Orson Welles was a sex symbol, once upon a time. Forget the way he ballooned to a size that matched his ego and personality later in life; he did
Jason says: “It’s interesting how certain things seem to arrive in clusters. Stop-motion animation never seemed to disappear quite so completely as the traditional cel-based form, but what has appeared over the last year or so has been an unexpected
Bruce says: “Sebastián Silva follows the adage that one should write about what one knows. THE MAID tells the story of his family’s maid during the time he was growing up and was filmed in the actual house where the
Michael says: “In Provincetown for the weekend and as luck would have it, the Provincetown International Film Festival has a slate of Women’s Week Films running at the Whaler’s Wharf! Wary of catching some amateurish, lesbian film (a la BAR
Jason says: “LETTERS TO THE PRESIDENT is somewhat difficult to review as a film because it does its job so well. It is trying to give the audience a snapshot of the relationship Iran has with its populist president, and
Jason says: “As you might expect, the title came first with LESBIAN VAMPIRE KILLERS Unlike a lot of high-concept movies, it delivers on that title, both literally – there are vampires, they are lesbians, and our heroes are going
Jason says: “THE LEAST OF THESE is maybe not a rarity as far as documentaries go, but it does seem unusually focused. The way things were being run at the T. Don Hutto detention facility offers the filmmakers plenty of
Bruce says: “When a director makes a big splash with a debut film, the follow-up film is under greater scrutiny than normal. Fernando Eimbcke’s DUCK SEASON is a case in point. The good news is that LAKE TAHOE, his follow-up
Jason says: “The title of KATYN refers to a place name and an event, one which looms large in modern Poland’s history, but the film holds the actual event in reserve. It’s too big, after all, putting Katyn at it’s
Jason says: “INTANGIBLE ASSET NUMBER 82 seems to have become a fascinating movie almost by accident. Certainly directors Scot McFadyen and Sam Dunn would have covered much of the same material if things had gone according to plan, but when