Jason says: “If I were to look over the reviews I’ve been writing over the past few weeks, I’d probably find I’ve used the word ‘crazy’ a lot, and generally meant it as a compliment, which I hope comes through.
Jason says: “Passion is at the core of PORTRAIT OF A BEAUTY, both that of one person for another and a person for his or her art. The former comes across loud and clear; the heat on this film is
Jason says: “PLASTIC CITY was presented as part of the ‘Hong Kong Film – New Action!’ series… So one might be a bit surprised to find that one of its main characters is Japanese and it is set in Brazil,
Jason says: “I really hope the Fanning kids are getting better advice and guidance than other people whose names come to mind at the mention of the phrase ‘child star.’ Not just because they’re kids, and what sort of monster
Diane says: “(That’s funny: they wore paper hearts in last night’s movie, JULIE AND JULIA) Charlyne Yi and friend-of-Chlotrudis Michael Cera are the guinea pigs in this faux-doc about the search for real love. Like ‘J&J,’ it’s completely enjoyable. But
Jason says: “I haven’t actually run the numbers, but I suspect that martial arts action has an unusually high number of movies titled as though they were sequels but only vague connections to each other, and that’s even before considering
Michael says: “Ratanaruang is most widely known for the dreamy surreality of LAST LIFE IN THE UNIVERSE, but this film is more of a sylvan counterpart to his last film, never released in the states, PLOY. In NYMPH, the Thai
Jason says: “Asked to name the top three film industries in the world, nearly everybody would come up with the United States right away. A good chunk would probably mention India next; the word’s gotten out in the past few
Jason says: “I will not lie to you; as soon as I read the description of Moon, I had mentally anointed it my favorite film of the festival, to the point where not only would another film have to blow
Jason says: “THE MESSENGER has no problem with making the audience a little uncomfortable. What might, in another movie, have been a bittersweet romance between Ben Foster’s Will Montgomery (a wounded soldier serving the end of his hitch informing next