Jason says: “I really hope the Fanning kids are getting better advice and guidance than other people whose names come to mind at the mention of the phrase ‘child star.’ Not just because they’re kids, and what sort of monster
Diane says: “(That’s funny: they wore paper hearts in last night’s movie, JULIE AND JULIA) Charlyne Yi and friend-of-Chlotrudis Michael Cera are the guinea pigs in this faux-doc about the search for real love. Like ‘J&J,’ it’s completely enjoyable. But
Jason says: “I haven’t actually run the numbers, but I suspect that martial arts action has an unusually high number of movies titled as though they were sequels but only vague connections to each other, and that’s even before considering
Michael says: “Ratanaruang is most widely known for the dreamy surreality of LAST LIFE IN THE UNIVERSE, but this film is more of a sylvan counterpart to his last film, never released in the states, PLOY. In NYMPH, the Thai
Jason says: “Asked to name the top three film industries in the world, nearly everybody would come up with the United States right away. A good chunk would probably mention India next; the word’s gotten out in the past few
Jason says: “I will not lie to you; as soon as I read the description of Moon, I had mentally anointed it my favorite film of the festival, to the point where not only would another film have to blow
Jason says: “THE MESSENGER has no problem with making the audience a little uncomfortable. What might, in another movie, have been a bittersweet romance between Ben Foster’s Will Montgomery (a wounded soldier serving the end of his hitch informing next
Jason says: “At times, it’s a bit hard to grasp that Orson Welles was a sex symbol, once upon a time. Forget the way he ballooned to a size that matched his ego and personality later in life; he did
Jason says: “It’s interesting how certain things seem to arrive in clusters. Stop-motion animation never seemed to disappear quite so completely as the traditional cel-based form, but what has appeared over the last year or so has been an unexpected
Bruce says: “Sebastián Silva follows the adage that one should write about what one knows. THE MAID tells the story of his family’s maid during the time he was growing up and was filmed in the actual house where the