Jason says: “Attach enough talent to a movie, and more often than not, you’ll at least wind up with something worth watching, and THE DEBT has a fair number of good people working on it. Does it translate into a
Jason says: “It’s fair to look at a movie like ATOMIC BRAIN INVASION and sigh. Another one of these things? After all, to put it bluntly, the people with legitimate first-hand nostalgia for 1950s sci-fi flicks are dying off, and
Diane says: “Woody Allen’s latest, starring Anthony Hopkins and Naomi Watts among others in a fab-o cast. Fast and clever, but my companions were right when they said that Allen usually has respect, if not sympathy, for his characters, and
Jason says: “Watching this movie’s opening scenes, with a bunch of animators screwing around, working more or less unsupervised in Disney’s old Ink & Paint building, brought together for being college classmates and taking breaks to do skits and home
Jason says: “I’m often not quite sure where I land on movies like TINY FURNITURE. They spend a lot of their time annoying me, quite honestly, with their characters’ awkward quirks and selfishness, and I’m never quite able to figure
Thom says: “Another lackluster Canadian entry this one about a touring rock ‘n roll band will do anything to get ahead, yes, even become vampires. You can tell a film like this is crappy when a quality talent (McDowell) walks
Chris says: “An adequate documentary about an extraordinary subject, this decade-in-the-making labor of love profiles Stephin Merritt, cult musician and head of The Magnetic Fields (and many other side projects). As a songwriter, Merritt seems out-of-time, his lyrics and melodies
Jason says: “My monthly pull at the comic shop is pretty international: North American, British, French, Korean, Japanese. No Chinese, though; not much of that has made it to America in translation. Which means I can’t say for sure whether
Jason says: “This one had a short run on the plex’s smallest screen, and it’s not hard to see why. It’s a pretty decent movie, with a good cast, but it’s also a weird one, with gambling addict John encountering
Jason says: “THE REVENANT is nearly two hours, long for a splatter-comedy, and if I could come up with a good suggestion for trimming it, I would probably offer it. The trouble is, the scenes which could probably survive a