Jason says: “The biggest problem with HIMALAYA (titled THE HIMALAYAS for its North American release) is that it comes right on the heels of EVEREST. The latter is not a particularly great movie but had the resources of a major
Jason says: “Movies like H., with its deliberately un-evocative title, unexplained strange events, and ostentatiously non-standard structure, can bring out my least favorite reaction to a movie – the urge to shout that the emperor has no clothes and the
Jason says: “There are a lot of things that can be done with David Lipsky’s interview of David Foster Wallace, and I don’t think that a movie is at the top of the list. The magazine article it was originally
Jason says: “The very first scene of DEVIL AND ANGEL makes it clear what sort of broad comedy it’s going to be, and it’s a pretty dumb one. And it’s not a dumb comedy that is secretly kind of clever;
Thom says: “Here’s another free ticket I nabbed to the annual San Francisco LGBT Film Festival. This was yet again a documentary entry and once more it shows that as I’m getting older it’s just as difficult being objective as
Kyle says: “THE DEAD LANDS is a tale of an ancient Maori tribe which is virtually wiped out by a band of treacherous, lying, spiritually desolate villains who are pursued by the dead chief’s handsome teenage son seeking revenge. Hongi
Kyle says: “I respectfully disagree with Spike Lee, who claims DA SWEET BLOOD OF JESUS is not a vampire movie. It may lack traditional traits such as fangs and claws, snarling and biting, garlic and mirrors, but Dr. Green subsists
Jason says: “Two animated features from the Korean Academy of Film Arts played the festival this year, and there’s enough underlying similarities to make a viewer joke about them coming from the same class assignment or, more seriously, ponder how
Kyle says: “This HBO documentary on 1980s Seattle indie music scene visionary and guiding artistic force behind Nirvana has much to recommend it: childhood videos and drawings that help to explain Cobain’s restless drive, his horror of humiliation and ridicule,
Jason says: “There are times when it almost seems as if BAG BOY LOVER BOY is making an argument against its own existence – that weird and difficult art is dangerous in the wrong hands, and not just in the