Thom says: “Bart Layton was the director of note on the very good 2012 documentary feature THE IMPOSTER and he brings a lot of nice effects to this “true crime” drama, somewhat, but irresponsibly, played for chuckles at the thieves ineptitude.
Chris says: “Colette was such a fascinating figure for her time it would take a concerted effort to make a boring film about her. Typically, Keira Knighly is neither miscast nor an exceptional lead; she does what’s required of her,
Chris says: “Gilda Radner may not have been the most original or technically accomplished comedienne, but she was unquestionably one of the most likable–as the cliche goes, she lit up whatever room she entered. Lisa D’Apolito’s sympathetic documentary gets this
Chris says: “This was my favorite Hornby novel since High Fidelity (he’s at his best writing about music), but as film adaptations go, it’s no HIGH FIDELITY. It doesn’t fall flat, exactly—how it could it with such ideal casting as
Brett says: “VOX LUX is a demolition derby of themes that keep colliding after the initial premise is introduced. Just when the viewer thinks that he/she has a finger on what this movie is, another head-on impact from writer/director Brady
Diane says: “The reason I went to see MID 90S, Jonah Hill’s directorial debut, was so I could admire Sunny Suljic’s hair again. (Sunny was the sweet little boy in KILLING OF A SACRED DEER.) Here Sunny plays Stevie, a
Chris says: “Fairly pedestrian for a profile documentary—more worthy of CNN than a theatrical release, really. But Andre Leon Talley’s personality is welcome in almost any setting. Just as he nearly stole the show from no less than Anna Wintour
Chris says: “The title refers to a highly-touted conceptual piece on display at a Stockholm Art Museum, but as we know, a square is not always just an object. Could it actually refer to a person, like curator Christian (Claes
Jason says: “The festival opened with a film (400 DAYS) that covers a lot of the same territory – global cataclysm happens while astronauts are undergoing long-term isolation trials – and this one is easily much better, despite having a
Jason says: “The professional sports industry churns out a tremendous amount of non-fiction films every year, and the number is probably only going up with the sheer number of cable sports channels with time to fill, especially during the off-season.