Thom says: “CALL GIRL is set in the late 1970s – The film takes us on an excursion from the lowest of Swedish society (young teenage girls who are emotionally fucked-up, to the point where they refuse to respond to
Jason says: “Some martial-arts action flicks are all-around great movies, and many are capable, if not exceptional. A distressing number, though, are one trick ponies, with good action scenes being held together by connective tissue that is given so much
Thom says: “This desultory film was much more appreciated by filmgoer Beth but I just didn’t get it. We learn first off that two brothers lie dead in a remote forest with a woman barely alive lying beside them. William
Diane says: “Major disappointment! Maybe I was too excited by my sister’s prediction that YA would be the female CHUCK AND BUCK. Maybe I’ve been too captivated by the cringeworthy, edgy dialogue of the Duplass brothers. YA’s story is flat
Jason says: “It’s bad enough that WHAT WOMEN WANT is a romantic comedy that has deficiencies were both halves of the term are concerned, relying on its stars’ charm to get the audience to ignore writing that is sloppy and
Diane says: “Emilio Estevez, you’re no screenwriter. I say that with some sadness, since I did have a crush on him in the ’80s. “Martin Sheen and director/writer Estevez play father and son, frustrated in their relationship. Healing comes on
Thom says: “Gus Van Sant has long been one of my favorite directors with his only real flop being EVEN COWGIRLS GET THE BLUES which he reportedly made during his period of being totally distraught after the tragic death of
Julie says: “There was one funny moment in the grocery store at the beginning of the movie which involves a loud speaker. Feel free to turn the movie off after that. The rest just seemed very amateurish to me and
Chris says: “Ash Christian’s debut feature FAT GIRLS wasn’t a great film, but it wasn’t bad for being written, directed and produced by a 21-year-old (he starred in it, too). A tad slapdash but often hilarious, it positioned him as
Diane says: “CIA director William Colby’s son gets on the filial doc bandwagon. But there are drawbacks to a film intended to show the opacity of its subject. E.g., you feel like you’ve wasted your time. The only parts I