Chris says: “Ash Christian’s debut feature FAT GIRLS wasn’t a great film, but it wasn’t bad for being written, directed and produced by a 21-year-old (he starred in it, too). A tad slapdash but often hilarious, it positioned him as
Diane says: “CIA director William Colby’s son gets on the filial doc bandwagon. But there are drawbacks to a film intended to show the opacity of its subject. E.g., you feel like you’ve wasted your time. The only parts I
Diane says: “I caught this at the Boston Jewish Film Festival, where another patron complained justifiably that the movie wasn’t Jewish enough. We see Sassoon in a synagogue with his kippe at the start of the film, then a very
Thom says: “Hmmm… Admittedly, I have no respect at all for fake macho director Ritchie, and while this film is fitfully entertaining, finally let’s attack it for esthetic reasons. This was adapted from a comic book of all mediums but
Jason says: “In the last review I wrote (for the delightful MARWENCOL), I said that documentaries about art and artists were frequently disappointing, in part because filmmakers have a hard time translating the brilliance they see into something a non-artist
Jason says: “I’d like to think I’m generous when reviewing and rating movies: If I enjoy a movie while watching it, but it loses something on later examination, I make sure to emphasize that this doesn’t undo the initial good
Jason says: “Making a good romantic comedy seems easy enough, in theory: Come up with some witty banter, figure out what makes the people delivering it interesting and likable, add a reason that they aren’t kissing by the end of
Thom says: “How this film opened TIFF is beyond all understanding for it failed on so many levels. There really wasn’t even much pleasure in seeing Bettany play against his real life wife Connelly as Charles Darwin & his wife
Jason says: “It’s a hoary old chestnut, but one that has stuck in the English language every since Shakespeare first used it in Hamlet because here’s a truth contained in it: ‘Method to madness.’ It’s not enough to just say
Diane says: “A hodgepodge from Coppola deals with creative genius and fraternal rivalry. The unevenness shows in the personnel: one character is wonderfully warm and realistic; a few are absurd; another is full of bombast, signifying nothing. Lead Vince Gallo