Philip says: “I wish I had seen Sean Baker’s (TANGERINE) film, THE FLORIDA PROJECT before the Oscars. I would have cheered it on. Baker’s gritty realism witnessed in his stunning Tangerine turns out not to be a flash in the
Chris says: “Enjoyed this a little more than THE WITCH–it’s just as silly, but Eggers’ Lynch/Maddin pretensions are finely tuned and wrought, and a sense of encroaching madness forever drives things forward. DaFoe/Pattinson is also an inspired pairing, and where
Chris says: “In theory, Willem Dafoe seems a misguided choice to play Van Gogh, given the age difference, lack of resemblance, etc. Happily, he makes a stunning transformation without resorting to extravagant physical enhancements like Gary Oldman as Churchill–he embodies the
Brett says: “VOX LUX is a demolition derby of themes that keep colliding after the initial premise is introduced. Just when the viewer thinks that he/she has a finger on what this movie is, another head-on impact from writer/director Brady
Kyle says: “NYMPHOMANIAC Vol. 1 & Vol. 2 are recent works by the most provocative director on the current international cinema scene. Lars von Trier has been thrice recognized by Chlotrudis with nominations for Original Screenplay for DOGVILLE (2003), and for
Jason says: “When trailers for THE GRAND BUDAPEST HOTEL first started appearing a few months ago, I felt some apprehension. Not so much because I often think I like director Wes Anderson less than I do, but because a large