Laura says: “This French film has been made numerous times over the decades and de Broca’s version has a distinctly old- fashioned flavor that serves it well. ON GUARD! is classic cinema served up with heart and humor. “The old
Laura says: “After diversions with career girls and period performers, writer/director Mike Leigh returns to the working class of SECRETS & LIES and LIFE IS SWEET. Within the confines of a dreary South London housing unit, Leigh and his actors
Diane says: “Okay, so it’s not a moviehouse movie, but if you’ve got Cinemax, I strongly recommend catching this documentary. I saw it at a special showing at the Brattle last week with cast present–one of the most thrilling movie
Laura says: “Schaeffer’s screenplay has an occasional glimmer of originality (the ‘talking point’ napkin Christopher draws up for Grace on their first date) and good dialogue, although it is telling that the dialogue improves dramatically with the level of performer
Diane says: “MULE SKINNER BLUES is a docu along the lines of AMERICAN MOVIE. Music video director Stephen Earnhart met up with Beanie Andrew, a retired shrimper who considers himself an entertainer. Andrew’s dream has been to make a horror
Laura says: “Gere is good as the grieving widower intent on discovering what his link is to the shadowy things which his wife experienced. He may be onto a startling journalistic piece or he may be losing his mind. He
Laura says: “MOSTLY MARTHA takes its cue from every film that’s ever found a single adult suddenly become responsible for a child. The cold climate/warm climate analogies of ITALIAN FOR BEGINNERS are present everywhere, from the restaurant’s name to Lina’s
Hilary says: “One of the most stunning things about the film is the stark contrast between the quality of the visuals and the incredibly bleak story. The prison, the dusty roads, the stuffy old house that ‘Hank’ (Billy Bob Thornton)
Diane says: “Janet and I liked MONSOON WEDDING very much. We’re both nom’ing Vijay Raaz (events manager) who makes a beautiful transition from an ugly boor to an eccentric lover. The opening and closing credits are very colorful and original.
Bob says: “I for one didn’t see much of a connection to Lang’s film at all. There is the setting — a huge mechanized city in which many of the people find themselves below the surface (literally and figuratively), an
Laura says: “Septuagenarian Chabrol, long known as the French Hitchcock, knows how to utilize Huppert’s cool brand of calculation. Their seventh collaboration is both as twisty and as obvious as the black web Mika literally spins with her crochet needle.
Ellen says: “I was not especially excited to see this film based on the previews, but if my friends ask me to go, I’m usually game to try to expand my horizons unless I know I’ll absolutely hate something. Going
Michael says: “The final day of the Boston International Festival of Women’s Cinema kicked off with a film that was being co-presented by the Boston Jewish Film Festival. ME WITHOUT YOU was directed by Sandra Goldbacher, who did the film
Ellen says: “I can see that MAMA might be a ‘teen movie’ because it is about teens and has those silly things that teens do – fart jokes, drinking, etc as noted by others. But, I felt these elements were
Michael says: “The final film of our P-Town extravaganza comes from Boston filmmaker Marla Poras. Mai is a Vietnamese girl who comes to America… more specifically rural Mississippi to spend her Senior Year in High School as an exchange student.
Laura says: “Denis’ claustrophobic film evokes the sinister European wartime era feel of DOCTEUR PETIOT) where close houses hide dark secrets, and the downtrodden dankness of Claude Chabrol’s biopic of Marie Latour (THE STORY OF WOMEN), who was executed for
Michael says: “The Boston International Festival of Women’s Cinema kicked off with LOVELY & AMAZING, Nicole Holofcener’s follow-up to WALKING & TALKING. Once again starring Catherine Keener, LOVELY & AMAZING explores the lives of a mother and her three daughters.
Laura says: “The only beauty to be found in THE TWO TOWERS is in the faces of the women who love Aragorn, Arwen (Liv Tyler) and the Rohan King’s niece Eowyn (Miranda Otto), and the majestic New Zealand landscape. The
Michael says:”LIFT takes the viewer into the world of ‘boosters,’ or professional shoplifters to the rest of us. Set on the streets of Boston and Roxbury, Kerry Washington, so loved in OUR SONG, plays Niecy, floor manager of an upscale
Laura says: “It’s the lead actors who make this piece work. Jolie is appealing and believable as a hurt little girl masquerading as a shallow career gal. Playing Lanie Kerigan was a smart choice on Jolie’s part, softening her own