Laura says:”Polanski is quick to establish Wladyslaw’s determination not to be silenced by his continuing to play Chopin as the recording studio he inhabits is destroyed by German bombs. Brody quietly and confidently inhabits Szpilman in one of the best
Laura says: “Because it is a love story set within a distinct ethnic community, PASSIONADA” is being compared to MY BIG FAT GREEK WEDDING, but this film is more rooted in realism than that Windex-infested sitcom. That said, while there
Hilary says: “This biopic of club kid/murderer Michael Alig is monstrously bad. The quality of the script, acting and style are on par with your average WB teen melodrama, but with a gigantic budget for drugs. If Macaulay Culkin intended
Bruce says: “In OWNING MAHOWNY, Dan Mahowny (Philip Seymour Hoffman) has just been promoted to Assistant Manager of a large Toronto bank when the loan sharks descend upon him. He has to come up with some money fast. Dan is
Bob G. says: “Very average cop-drama that aside from being marvelously shot and competently acted, offers up nothing of note either script-wise or in the way of style. Denzel dodges bullets and hangs from balconies with the best of ’em,
Michael says: “If 2003 isn’t the ‘Year of the Documentary’ I don’t know what is. Film Movement’s OT: OUR TOWN is a worthy addition to the many outstanding documentaries released this summer. It’s playing at the Coolidge Corner, and I
Michael says: “You’d think, after ARARAT and WHALE RIDER, that Peg and I have diametrically opposed viewpoints when it comes to films. Not so! Scot and I watched the screener for the Danish film, OPEN HEARTS over the weekend, and
Peg says: “Veteran music documentarian D. A. Pennebaker (ZIGGY STARDUST AND THE SPIDERS FROM MARS) and Chris Hegedus (STARTUP.COM) team with journalist Roger Friedman to play old-home week with legendary soul singers in New York, Chicago, and Memphis. Friedman is
Howard says: “As exciting as the trailer was, the film is not. Robert Rodriguez has attempted to make another Mexican mythology picture in his ‘El Mariachi’ series. Oh, it’s pretty, there are a couple of great action sequences and all
Michael says: “NOWHERE IN AFRICA is a true epic, telling the tale of a Jewish family’s flight from Nazi occupied Germany to Africa. Walter Redlich travels to a farm in Africa to prepare the way for his wife and daughter.
Laura says: “Writer/director Michael and Writer/star Mark Polish complete their American Heartland trilogy with a dreamlike meditation on death and departure. Using two groups of angels, the bureaucratic guardians of the real world and a rag tag assemblage looking for
Laura says: “When an idealistic gentleman of little fortune dies in rural England, his nineteen year old son is left to fend for himself as well as his mother and younger sister. They travel to London to engage the aid
Peg says: “THE NAVIGATORS, directed by Ken Loach, is a fictional story of an all-too-real situation: the deregulation and increasingly-private ownership of the railway system in Great Britain. The script was written by a former railway employee, Rob Dawber, who
Hilary says: “A heroin-fueled ‘Law & Order’ in feature form, shot through the now obligatory icy blue ‘Detroit Lens,’ as seen in OUT OF SIGHT, etc. Jason Patric shows off his underutilized talent in the role of a burnt out
Bob says: “I didn’t read the book, but I thought the film was very good. I found Robbins’ performance just as strong as Penn’s (and Penn really was great). Besides, I love depressing films.” Hilary says: “I saw it
Michael says: “Last week, Mary and I caught a preview of the latest film to star personal favorite Sarah Polley called MY LIFE WITHOUT ME. This Pedro and Augustin Almodovar production combines the whimsy and drama of Almodovar’s films with
Peg says: “I saw this Scottish film by Lynne Ramsay at the Women’s Film Festival and thoroughly enjoyed it! “Morvern is a young woman who wakes up, or perhaps arrives home, on Christmas morning to find her boyfriend has committed
Laura says: “Director Fernando León de Aranda’s (who also cowrote with Ignacio del Moral) film won the Golden Seashell at the 2002 San Sebastian film festival, scooped up a bunch of Goyas (Spanish Academy Awards) and, mostly notably, was chosen
Bruce says: “Only two names are listed in the writing credits but I would swear that this film was designed by a committee. A lot of ‘stuff’ is going on here and usually the bad stuff is also the good
Bob says: “My experience with animé is mostly limited to movies like AKIRA and GHOST IN THE SHELL – urban science fiction with a healthy dose of philosophical questioning about the nature of the self. Well, MILLENNIUM ACTRESS is nothing