Esme says: “Okay, holy Christ, IRREVERSIBLE was b r u t a l. If you can survive the first couple of scenes (incredibly, it gets gentler, sweeter and lighter as it goes backwards), this is a really interesting movie. I
Howard says: “There is a point in INTOLERABLE CRUELTY where George Clooney is giving a keynote speech professing his love that is long enough to make you suspect the Coen brothers have ‘sold out’ into schmaltz. Wrong! The film, in
Esme says: “INTACTO was great. I really like this movie. It is a well-acted, under-dramatized sort of movie that they will probably try to ruin and remake in America with Bridget Fonda as the female detective, a la LA FEMME
Laura says: “Kudlacek begins her film with Mekas holding film cans marked Deren, declaring them the ‘holy grail of cinema – we don’t know what’s inside,’ before beginning a journey that details Deren’s Russian Jewish roots, influences, lovers, colleagues, travels,
Laura says: “This small BBC film, adapted from One Hundred and One Dalmatians author Dodie Smith’s novel, immerses its audience into another time and place just like a good read on a rainy day. Director Tim Fywell (TV’s ‘Norma Jean
Diane says: “I’m on a mainstream roll! HOUSE OF SAND AND FOG is a five-cat book, and here not reduced too awfully much in its film version. Ben Kingsley is perfect as Colonel Behrani, the exiled Iranian trying to recoup
Hilary says: “Only a few scenes into THE HOURS I found myself wishing I could start the film over and view it without the Philip Glass score. The score was used in a heavy-handed fashion, cueing the viewer to the
Michael says: “Disappointingly cliched drama about a woman who loses her husband of 15 years to a sudden car accident. While cleaning out his office belongings she discovers that he’d been having not only an affair, but a double-life as
Laura says: “After the death of their father, Dinah (Helena Bonham Carter, NOVOCAINE) stays briefly at her sister Madeline’s (Olivia Williams, THE SIXTH SENSE) London townhouse, frustrating her sister’s sense of decorum while delighting her nephew Anthony (Luke Newberry) and
Hilary says: “Being a sucker for musicals I have to admit that I enjoyed the first half of this film. After that it descended into Formulaic Hollywood Romance territory with Heather Graham playing yet another naïve porn star. If only
Bruce says: “What possesses talented directors to remake films which for one reason or another are considered classics of their genre? Neil Jordan, director of MONA LISA, THE CRYING GAME, THE BUTCHER BOY and THE END OF THE AFFAIR, must
Ivy says: “This Godzilla film was exceptional: All of the beasts are back for this one, being that it is ALL OUT MONSTER ATTACK. It’s a very smart Godzilla film but it still contains all of the fun from the
Michael says: “GIRLS WILL BE GIRLS tells the tale of three Hollywood actresses, all at different stages of their careers. There’s the drunken shrew, Evie, a bitter, ruthless, pill-popping, aging actress who had one memorable role in a Hollywood blockbuster,
Emily says: “GERRY is going to be one of those that generates a lot of dissension amongst Chlotrudis ranks, I think. Its an either ‘you love it or you hate it’ kind of film. I’ll say one thing, that it
Laura says: “Proyas, who cowrote with Dave Warner (CUT) & Michael Udesky, has made a film that resembles TRAINSPOTTING if it were sweet instead of edgy. Unfortunately, his third feature seems more like a first effort, with style borrowed from
Ivy says: “If you missed FRIDAY NIGHT when it played in the Boston’s Women’s Fest this Spring, please consider going tonight to the Monday Night at the Movies, or catching it at the Kendall before it leaves this Thursday. This,
Howard says: “The biggest surprise this summer turns out to be the one that everyone rolled their eyes at. FREAKY FRIDAY, yet another Disney remake of one of their own films, is a well-acted, well-scripted piece of family fluff. For
Howard says: “If you can get past the first 10 minutes of Pixar’s latest, you’ll get a movie that is on par with their four other feature films. FINDING NEMO turns out to be a big, adventure film with a
Laura says: “FINAL DESTINATION was a cut above the standard teen horror flick, leading the pack of current films which examine luck and fate’s relationships with death (UNBREAKABLE, INTACTO), its premise obscuring its slasher film agenda of innovative death scenes.
Michael says: “This documentary about legendary Italian director Federico Fellini is a terrific film for fans of his work. Extensive interviews with Fellini make up the bulk of the film, with conversations with the likes of Donald Sutherland, Terrence Stamp,