Bruce says: “China and Japan have a contentious relationship for hundreds of years, particularly in the years since Japan occupied parts of China and Taiwan in the early 20th century. Diplomatic relationships did not resume until 1972 and attitudes on
Bruce says: “Films about illness and disability used to run the risk of being slotted into the ‘Ailment of the Week’ made-for-TV film category. That insult is mostly a thing of the past since television is now many times more
Tom says: “I can’t spell Renaissance without looking it up, but I can enjoy it anyway! Visually amazing. Like a still black and white drawing that won’t stop moving, flat but with depth. The story, it may be good, but
Bruce says: “Being no fan of Salvatores’ Oscar winning MEDITERRANEO or the more recent I’M NOT SCARED, I was a bit hesitant about seeing QUO VADIS, BABY? While I was somewhat pleasantly surprised, the film is not without its problems,
Michael says: “Sometimes a movie receives accolades and hype that makes you pause and scratch your head. QUINCEAÑERA took the audience and Jury Prizes for Best Dramatic Feature at Sundance earlier this year. It’s not that Richard Glatzer and Wash
Michael says: “This disappointing follow-up to Babbit’s entertaining debut, BUT I’M A CHEERLEADER has trouble deciding what it wants to be; a campy comedy, a tense thriller, a serious family drama, or a horror film. What it reminded me most
Chris says: “I’m convinced that Helen Mirren is capable of anything: She can quietly steal scenes in a Robert Altman ensemble piece (GOSFORD PARK), turn a recurring role into an icon (television’s ‘Prime Suspect’) and even survive an embarrassment like
Chris says: “The titular piece of furniture is an old burgundy La-Z-Boy purchased on E-bay by Josh (Mark Duplass). He sets off from New York with his girlfriend Emily (Kathryn Aselton) to pick up the chair in rural Virginia so
Chris says: “This Aussie western sports the first screenplay to be written by goth rock legend Nick Cave. Like a good number of the man’s songs, it’s darkly poetic, somewhat macabre, heavily death-obsessed, more than a little bloody and ponderously
Bruce says: “It is no secret that the President of South Korea will be assassinated in THE PRESIDENT’S LAST BANG; after all we are told on screen that it is 1979 and we know the film is based on fact.
Bruce says: “Of all the political documentaries to come out in the past few years THE POWER OF NIGHTMARES is the most innovative in its thinking. According to Curtis the neo-con movement and the fundamentalist Muslim movement both had their
Bruce says: “Identical twins Stephen and Timothy Quay have quite a reputation (albeit primarily as animators) considering THE PIANO TUNER OF EARTHQUAKES is just their second feature film. They were born in the USA but studied film in England where
Hilary says: “Nathalie Baye (VENUS BEAUTY INSTITUTE, etc.) stars in this glacially-paced French neo-noir. “Baye plays a veteran police officer returning to the detective squad following some personal drama. One of the squad’s new recruits, Antoine (Jalil Lespert), anxiously awaits
Bruce says: “EL PERRO (sometimes advertised as BOMBON, EL PERRO) is a delightful film. Set in Patagonia, the story is paper thin but the sentiment is sincere thanks to a lovely performance by Juan Villegas. He plays Coco, an aging
Bruce says: “It is 2002 and Goni (Alberto Sanchez de Lozada), the former president of Bolivia, is seeking to regain office he held from 1993-1997. When his finds himself lagging behind Manfred (Reyes Villa) in the polls, he panics and
Bruce says: “Leni (Marián Aguilera), a nice Jewish girl, brings her boyfriend Rafi (Guillermo Toledo) home to meet the extended family. Rafi has one major disadvantage in this household; he is Palestinian. Leni’s belly-dancing sister Tania (María Botto) is wildly
Chris says: “Mark (Daniel London) and Kurt (cult folk-rocker Will Oldham) were once close friends; now both in their mid-30s, they’ve grown apart as friends often do. Mark has a career and a partner and is about to become a
Chris says: “Stars a rarely-better Parker Posey as a Cleveland ad exec who has never had an orgasm, ever. A thin premise and somewhat clumsy script are enlivened by a decent cast: Paul Rudd (shlubby and nearly unrecognizable with copious
Michael says: “In theory, the life of Bettie Page seems like a perfect basis for a biopic. A young girl growing up in the 40’s and 50’s, Page travels from Nashville to New York to pursue her dreams of acting.
Michael says: “Richard Eyre follows-up IRIS and STAGE BEAUTY with a real romp of a thriller in NOTES ON A SCANDAL. There’s a lot of excess in SCANDAL, and the entire thing really lives and dies by Judi Dench’s performance