Bruce says: “This film is a rarity because it features a central character that is not particularly likeable yet his story is funny and illustrative of a major problem facing communities worldwide – what to do with the aged. “Lucien
Jason says: “The late 1960s were a tumultuous time in Korea’s history (but what part of the 20th Century wasn’t?). That’s a non factor through much of ONCE IN A SUMMER, which is a likable if kind of lightweight romance…
Bruce says: “Curious how such a film could become a critic’s darling. Using two non-professional actors John Carney tells a story about songwriters who meet on the streets of Dublin and connect in more ways than one. Or do they?
Bruce says: “Critics of the Bush Administration’s war in Iraq have been quick to disagree with almost every important decision made along the way. Dismissed as naysayers and accused of lacking patriotism, the critics had difficulty disproving decisions for the
Michael says: “The Provincetown International Film Festival kicked off with a misstep with this cloying, clumsily scripted film about an Indian family living in Scotland. Nina returns to Glasgow from London for her father’s funeral after fleeing her family and
Bruce says: “The African films I’ve seen recently have all been quite melodramatic; THE NARROW PATH is no exception. Awero (Sola Asedeko), a young village girl is beautiful and much in demand as a potential wife for men in neighboring
Bruce says: “**Spoilers** “Nathalie Baye is billed as ‘cast against type’ in MY SON. One wonders who might have been the right type for the psychotic nightmare of a mother, other than Isabelle Huppert, of course. Ms. Baye proves that
Bruce says: “MURDERERS (MEURTRIÈRES) is a pointless film – it’s not a character study, cautionary tale, or sociological study. It has been given the air of a mystery or possibly a thriller but it fall flat in those departments as
Bruce says: “Mr. Vig is 82. His ‘old ambition is to create something enduring’ and to that end he has decided to give his estate, Hesbjerg Castle, to a Russian Orthodox religious order. As the film begins, Sister Ambrosija arrives
Michael says: “That MO got made is something to admire, at the very least. Making a feature film is no easy thing, and even though the subject clearly means a lot to director Brian Lederman, it takes more than one
Bruce says: “Tracking down home movies and combining them with other (usually professional) archival footage is an intriguing way of telling a story, creating a verité effect while providing a history lesson. Péter Forgács is a founder of the Private
Jason says: “For all I know, the most amusing part of “IN THE LAND OF MERRY MISFITS won’t even be included when it finally gets whatever sort of distribution it winds up getting. The festival screening opened with a rapid-fire summarization
Jason says: “The subject that inspired Gary Marino’s MILLION CALORIE MARCH – both the documentary and the event itself – is certainly worth the audience’s attention; adult and child obesity is a major problem in the United States. As a
Bruce says: “Anyone glued to the nightly news during the saga of journalist Daniel Pearl knows the sad ending of his harrowing kidnapping story. A MIGHTY HEART is based on the writings of his wife Mariane, herself a journalist. Daniel
Jay says: “Do people still actually say ‘metrosexual?’ In today’s internet-speed environment, pop culture memes have an average half-life of about six months, and ‘metrosexual’ peaked two or three years ago. Not that it really matters; the title character’s metrosexuality
Meanwhile (Argentina/France; 90 min.) directed by: Diego Lermanstarring: Valeria Bertuccelli, Maria Merlino, Claudio Quinteros Bruce says: “‘Meanwhile’ has two meanings – ‘during the interval’ and ‘at the same time’ – either of which are appropriate for Diego Lerman’s second
Bruce says: “MAXED OUT is the first film I’ve been able to see at the Chlotrudis sponsored Sunday Eye Opener series at the Brattle Theater. MAXED OUT is not the film I had thought it would be. Judging by its
Michael says: “Stories about dysfunctional families often make for great comedic and dramatic fodder, both in novels and in films. Noah Baumbach was successful mining this territory in 2005’s THE SQUID AND THE WHALE, but while I enjoyed that film,
Bruce says: “MANUFACTURED LANDSCAPES is a portrait of Canadian photographer Edward Burtynsky who is known for his landscapes. The title refers to a series of photographs he shoots on a trip to Asia. Rather than photograph the natural wonders of
Bruce says: “This documentary film is an excellent primer for understanding issues of Cubans exiles, particularly those in South Florida. The title refers to the subject of the film Max Lesnik, a former resident of Havana, Cuba, and now a