Bruce says: “THE MAN FROM LONDON, Béla Tarr’s black and white homage to French film noir, opens with a seemingly never-ending tracking shot that takes your breath away. The camera moves from a reflection of a rope and boat in
Michael says: “The first few months of every year are usually pretty dry when it comes to quality independent film, and even when you do see good movies, it still feels like you’re playing catch up with the previous year.
Bruce says: “Love/hate relationships are always good for a few laughs and LIVE-IN MAID serves that axiom well. Beba Pujol is used to having her own way. Belonging to the pampered class, Beba has never learned to pick up after
Bruce says: “A LITTLE KISS is a poignant essay on aging, friendship, death and dying. Kamal (Jamshid Hashempur) is Iran’s most famous writer. He has a short time left to live and is cared for lovingly by his grandson. His
Michael says: “What can be better than Japanese school girls in uniform with electric guitars? For sheer, unabashed enjoyment, you can’t get much better than LINDA LINDA LINDA. As the school fair approaches, a teen-aged all-girl band fears it will
Bruce says: “LIGHTS IN THE DUSK is the third film in a trilogy Kaurismäki calls ‘films about losers.’ Unlike its immediate predecessor, THE MAN WITHOUT A PAST, this film is difficult to grasp. That is largely due to the blandness
Chris says: ” Like most of you, I know Charles Nelson Reilly from his 1970s appearances on THE ‘Match Game:’ permanently seated on the panel’s upper right-hand corner next to his foil, Brett Sommers, he was that decade’s Paul Lynde,
Bruce says: “Clint Eastwood has proven himself a gifted filmmaker over the years but there is nothing in his portfolio indicating he would create one of the best war films in the history of cinema. The Hollywood hype machine declared
Bruce says: “Director Jan Schütte has combined three short stories by Isasac Bashevis Singer – ‘Alone,’ ‘The Briefcase,’ and ‘Old Love,’ – into a clever, intelligent screenplay weaving the active imagination of a writer of fiction into the narrative line
Last Man, The (Lebanon/France; 101 min.) directed by: Ghassan Salhabstarring: Carlos Chahine, Raia Haidar, Fayeh Hmaissé Bruce says: “THE LAST MAN is my first Lebanese vampire movie. Don’t think I’m cracking some kind of Rosie O’Donnell joke or making
Michael says: “To think this is the second film that I have seen in four years that prominently features a Real Doll (the first being the low-budget, creepy horror flick, LOVE OBJECT.) LARS AND THE REAL GIRL is a whimsical
Chris says: “I can’t think of a more difficult topic for a documentary to tackle than abortion. In his first feature since AMERICAN HISTORY X, director Tony Kaye dives head first into the debate over abortion, examining it from seemingly
Beth says: “I really wish this and MONKEY WARFARE had not been literally back to back – my festival highlights came in a clump, as a result. Directed by AJ Schnack, one of Chlotrudis’ Advisory Board members, the film was
Michael says: “In the world of documentaries I am often left thinking, how did the filmmaker find that story? Other times I think, they really put that film together well to make it a compelling story. Seth Gordon’s THE KING
Bruce says: “If ever two unrelated film projects deserved a pairing it is KIKI SMITH: SQUATTING THE PALACE with another film about the artistic process made a few years earlier, AGNES MARTIN: WITH MY BACK TO THE WORLD. Shown together
Chris says: “JUNO, Jason Reitman’s follow-up to the wildly popular THANK YOU FOR SMOKING, greatly benefits from a solid, honest, hilarious first screenplay from newcomer Diablo Cody, a exquisite comic turn from lead actor Elliot Page, and an affable supporting
Michael says: “Most of us probably remember the late 70’s when Jim Jones and the People’s Temple committed mass suicide in Jonestown, Guyana. Now director Stanley Nelson has put together a documentary about the People’s Temple that tries to focus
Michael says: “This is one of those films that I find very difficult to review. Focusing on the horrific plight of the homosexual Muslim, it’s an important film with a story that needs to be told, yet as a film
Jellyfish (Israel; 78 min.) directed by: Shira Geffen, Etgar Keretstarring: Sarah Adler, Nikol Leidman, Gera Sandler, Noa Knoller, Ma-nenita De Latorre, Ilanit Ben Yaakov Michael says: “JELLYFISH won the Golden Camera, and the Screenwriter’s Award at Cannes earlier this
Jason says: “It’s easy to say what ISABELLA is about – a middle-aged man coming to terms with the daughter he never knew he had – although it’s a little more difficult to nail down the specific plot, especially while