Michael says: “I’ve been looking forward to seeing PROTAGONIST since I read about it a couple of months before it played at the Independent Film Festival of Boston last April. Unfortunately I missed it at the IFFB, but I got
Bruce says: “Alain Resnais is eighty four and by now must have had plenty experience feeling lonely. PRIVATE FEARS IN PUBLIC PLACES is all about loneliness and appears the work of a subject matter expert. Theirry (André Dussollier) is a
Bruce says: “In January, Primo Levi was released from Auchowitz where he had been incarcerated since February 1944. His journey home to Turin, Italy, took him almost a year. He and other freed Italian prisoners travelled through Poland, the Ukaraine,
Jason says: “Everything we eat and use, it seems, has some sort of despicable behavior involved at some point in the supply chain. Why should sugar be any different? At least in documenting this, THE PRICE OF SUGAR is also able
Bruce says: “**SPOILERS** “On May 8, 1988 the Pope is scheduled to visit Melo, Uruguay. Melo is in northeastern Uruguay and many Brazilians are expected to come over the border in tour buses. Weeks before the event the media creates
Jay says: “You’re not supposed to laugh at movies like THE POET. It’s serious business, after all: Polish Jews running from the advancing German army! A good young man caught between his own loving, artistic heart and the brutality of
Chris says: “PLOY, the latest from Pen-Ek Ratanaruang, initially seems worlds away from LAST LIFE IN THE UNIVERSE: it follows a couple checking into Bangkok hotel and is all rendered in washed out earth tones and barely audible ambient music
Michael says: “Sometimes documentary filmmakers will stumble across a subject that’s just so flat out weird, or fascinating that half the battle of making an interesting film is won right there. Filmmakers Chris Metzler and Jeff Springer have done just
Bruce says: “There are many things to like about PINK. PINK is a meditation on personal history, love, loss and creativity. It unconventionally wanders between fantasy and reality. Using a clay model of Athens to tell his story director Voulgaris
Michael says: “British director Duncan Roy got a little attention several years ago with AKA, a film about a young working class man who impersonates an aristocrat. For his latest film, Roy creates a modern adaptation of Oscar Wilde’s well-known
Jason says: “In recent years, Persepolis has been sliding into the spot that Maus used to occupy: The socially-relevant graphic novel that makes inroads into the mainstream and is used as an example of how the medium is good for
Jason says: “For PERFECT CREATURE, the question of ‘what if vampires were real’ isn’t quite good enough; it asks what if vampires were real, but instead of being feared, they were objects of worship? It’s kind of a dodgy idea,
Bruce says: “Based on a novel by Alan Pauls, THE PAST is a story with many themes: separation, jealousy, tragedy, and loss of love. At a party, Frida (Marta Lubos) toasts Rimini (Gael Garcia Bernal) and Sofia (Analía Couceyro) who
Bruce says: “Twenty two directors join together for twenty short stories about love, each set in a different arrondissmont in Paris. The directors approach love from different angles. Some are dead serious, some bittersweet and others, quite amusing. By the
Jason says: “That star rating generally indicates that PAPRIKA is a nearly perfect film, which I’ll admit isn’t the case. Here’s the thing, though – there is just so much good stuff crammed into it that I’m willing to overlook that.
The Orphanage (Spain/Mexico; 105 min.) directed by: Juan Antonio Bayonastarring: Belén Rueda; Fernando Cayo; Roger Princep; Mabel Rivera; Montserrat Carulla; Andrés Gertrúdix Julie says: “I’m not much one for ghost stories, but this incredibly well made Spanish film was excellent.
Bruce says: “THE OPTIMISTS is a series of five vignettes about those who more or less take advantage of the situation rather than rise to the occasion. The first is about a hypnotist who visits a peasant village. The hapless
Bruce says: “This film is a rarity because it features a central character that is not particularly likeable yet his story is funny and illustrative of a major problem facing communities worldwide – what to do with the aged. “Lucien
Jason says: “The late 1960s were a tumultuous time in Korea’s history (but what part of the 20th Century wasn’t?). That’s a non factor through much of ONCE IN A SUMMER, which is a likable if kind of lightweight romance…
Bruce says: “Curious how such a film could become a critic’s darling. Using two non-professional actors John Carney tells a story about songwriters who meet on the streets of Dublin and connect in more ways than one. Or do they?