Jason says: “It is one of the oldest tricks in the book, despite having rather limited success, as far as I can tell: Take a franchise that has seen better days and revive it, only the new protagonist is no
Jason says: “I SELL THE DEAD is one of those movies that sits somewhere between comedy and horror and threatens to be neither one. The horror elements are rooted in the familiar rather than the unknown, but there’s often enough
Diane says: “My stomach was in knots during the whole of THE HURT LOCKER a fine-grained study of a three-man American bomb squad unit in Iraq. Camera stays so close to the characters that you think what they think. The
Jason says: “Sure, this may not look like a Chlotrudis movie at first, but it’s hard for something to get more independent – or more Canadian! – than this! 🙂 “Every once in a while, I’ll get an email from
Bruce says: “Award winning video artist Steve McQueen makes a stunning directorial debut with his evocative film documenting the conditions leading up to the 1981 hunger strike led by Bobby Sands at Her Majesty’s Maze prison nine miles from Belfast.
Jason says: “I haven’t seen Lynn Shelton’s first feature, but MY EFFORTLESS BRILLIANCE and HUMPDAYT form an interesting pattern, and not just in how both are kicked off by an old friend visiting unannounced. Unlike many female independent filmmakers who
Thom says: “If sincerity was the byword of film art this would have been best-in-show. In this case though, the film simply lacks interest. A country family is followed as they try to get by in a changing world. Prices
Thom says: “Dante seems to be stuck in a child/scary mode with most of his feature films (GREMLINS is a good example) and while does have a fun quotient it’s not very special. Two brothers who have moved to a
Jason says: “Herbert and Dorothy Vogel are a treasure, and most people will likely decide that’s the case just from hearing about the couple, without the need for a movie to convince them. They’re a working-class couple that managed to
The Headless Woman (Argentina/France/Italy/Spain; 87 min.) directed by: Lucrecia Martel starring: Maria Onetto; César Bordón; Claudia Cantero; Daniel Genoud; Guillermo Arengo; Inés Efron Bruce says: “THE HEADLESS WOMAN is a state-of-mind study. Vero (Maria Onetto), a successful dentist, climbs
Harry Brown (UK; 97 min.) directed by: Daniel Barber starring: Michael Caine; Emily Mortimer; Iain Glen; Liam Cunningham; Amy Steel; Ben Drew Thom says: “Thrill of thrills Michael Caine was at the Q&A session & I basked in his
Jason says: “Commercial air travel has become common enough that even those of us who do not fly very often take it for granted. We should and we shouldn’t: Life in the 21st century demands relying on complex systems that
Thom says: “More than idle curiosity begs me to ask the question: why in the name of all that’s Holy is Rob Zombie continuing to make this done-to-death story. I had a healthy respect for Zombie’s rock group White Zombie,
Thom says: “This was far and away the best Canadian film I saw at TIFF. A very black comedy featuring extraordinarily peculiar characters, I was hooked on this from the get-go. Thurier made quite the impression with his earlier film
Bruce says: “Having the pleasure of seeing slick documentaries such as MAN ON WIRE, PROTAGONIST, and SHUT UP AND SING one tends to be somewhat spoiled by their detailed scripting and/or high production values. It is important to keep in
Jason says: “As Part One did, CHE: PART TWO opens with a geography lesson, this time showing us the landlocked nation of Bolivia. We’re also given a text scroll telling us that Che Guevera suddenly disappeared from Cuba in the
Jason says: “One of the signs of a particularly good comedy – or any sort of movie, really – is when there are funny or interesting things happening in the corners; stuff that the movie doesn’t need but which make
Jason says: “When a child is born in a fantastical serial, whether it be television, comics, or movie sequels, there is almost inevitably some plot twist that ages him/her rapidly, or jumps the audience forward in time, or otherwise presents
Diane says: “I’m not as crazy about GOODBYE SOLO as the reviewers have been. Let’s call it THE VISITOR meets A TASTE OF CHERRY–a suicidal middle-aged white American man is thrown into the lively world of a Senegalese cab driver.