Jason says: “You’d be forgiven for thinking that a movie taking place amid the inner circle of Saddam Hussein’s family over the past twenty-five years, and featuring the potential plot twists and mind-benders of look-alikes, would be something fairly exciting.
Jason says: “A colleague of mine described Kim Ji-woon’s last film, THE GOOD, THE BAD, THE WEIRD, as an attempt to make an action movie with nothing but the Good Parts. Kim brings that same attitude to I SAW THE
Jason says: “DETECTIVE DEE AND THE MYSTERY OF THE PHANTOM FLAME hits a lot of my sweet spots – it can be described as a Chinese martial-arts take on Sherlock Holmes, with a blockbuster budget, Tsui Hark directing with abandon,
Jason says: “THE DESCENDANTS is, I suppose, a movie about trust and responsibility, although I’m not getting very far trying to boil it down to parallel situations and easy lessons. That’s okay, though; this lets director Alexander Payne put a
Jason says: “Attach enough talent to a movie, and more often than not, you’ll at least wind up with something worth watching, and THE DEBT has a fair number of good people working on it. Does it translate into a
Jason says: “Films like Travis Betz’s THE DEAD INSIDE are some of my favorites to write about. Not so much the genre – although, let’s face it, you don’t pass up a chance to write up singing zombies – but
Jason says: “Most people who decide to make a zombie movie do it in a bare-bones way, shooting in their hometown rather than going particularly far afield; when you’re working with no budget, it’s best to be in familiar territory.
Toni says: “I am not a person that either loves or hates Cronenberg but I am less into perverse stuff and more into his thrillers or more dialogue driven pieces with solid visuals and sound. I accidentally ended up seeing
Jason says: “In most horror movies, insanity encroaches slowly, chipping away at the seemingly normal world that the filmmakers had built up at the start. To say that director Evan Kelly and writer Josh MacDonald go the opposite route with
Thom says: “Two must-see actors, a passing interest in Redford films (his QUIZ SHOW was my #1 film of 1974!), & the noteworthy cast drove me to a theatre to see this & I’m glad I did. Certainly while I
Julie says: “I went into this with great trepidation. I was not sure how exciting it would be to watch a film about Conan Obrien touring since I always felt the Conan show was just okay…But I was curious to
Jason says: “Clearly, Sion Sono is a guy I’m going to have to pay more attention to going forward. So far, I’ve seen three of his movies and really liked all three, even though they’re frequently the very definition of
Jason says: “COLD WEATHER looks like a detective story, but to an extent that’s just camouflage. Though it’s got more of a definite plot than many of the movies that rightly or wrongly are placed under the ‘mumblecore’ umbrella, the
Jason says: “Every few weeks, Space.com will mention a meteor shower or comet, and I’ll stay up late and eagerly make my way out to my back porch before remembering that I live right across the river from Boston, and
Toni says: “We drove up to Boston on a Friday night from RI in traffic to see the one week only CITY OF LIFE AND DEATH up at the Kendall. “Maybe it is the use of black and white to
Jason says: “Alex de la Iglesia’s new movie certainly qualifies as a circus – it’s filled with bright colors and daring displays that look joyful while also tempting the audience with sex and violence. This makes perfect sense; De la
Jason says: “CIRCUMSTANCE is sneaky. It starts out as a simple tale of teenage idealism and perhaps forbidden love, and that thread certainly continues throughout the entire film. The clever thing that writer/director Maryam Keshavarz does is to show a
Chris says: “Earlier in this festival, I saw a film described as a black comedy that played pretty well as a straight thriller. This one, meanwhile, is presented as a revenge thriller, but winds up being presented so broadly that
Ibad says: “Celebrated Iranian director Abbas Kiarostami marks a new chapter in his long career with CERTIFIED COPY, making a film outside of his home country for the first time. The naturally sunny Tuscan cinematography keeps the film floating light
Jason says: “Pundits declaiming the use of 3D in recent years often act like it was gone for a generation between the mid-eighties and late-naughts, but that’s not really the case; it was used extensively for documentaries that played at