Thom says: “This historical epic was originally a project for the great Chilean director Raoul Ruiz and was actually in pre-production when Ruiz passed away. The project was then handed to long-time Ruiz collaborator and wife Sarmiento. The film concerns
Diane says: “I am in love with Abraham Lincoln! At least as played by the superlative Daniel Day-Lewis. I feared the Spielbergization of what is already mythic, but Day-Lewis makes the hero of LINCOLN specific, odd, and complicated. The movie
Jason says: “Most extreme sports movies sell spectacle; if one has been booked for a night or two at a local theater before hitting the shelves at the local ski/surf/skate shop, you can usually bet on quality photography of impressive
Thom says: “Beloved Johnny To returns to TIFF with an atypical entry from the Hong Kong master. Instead of the usual shoot-‘em-up gangster film that To has refined to the finest degree we get an imperiled financial world drama, that
Michael says: “Written, directed, and starring Josh Radnor (of TV’s ‘How I Met Your Mother’) offers a film revolved around nostalgia, and looking back at your college days as they high point of your life. Jesse (Radnor) is living an
Jason says: “You can do a movie like A LETTER TO MOMO with live-action nowadays, and it’s increasingly common, but animation of the traditional variety still seems the best medium for this sort of fantastical but relaxed family entertainment: It
Jason says: “A LATE QUARTET starts out with a fair amount of promise: It’s got a cast full of fine character actors, a somewhat unusual setting in the world of classical music, and a premise that is easy to grasp
Jason says: “THE LAST PUSH is a movie by space nuts but for a larger audience, and I very much hope that it will find one on the festival circuit. The filmmakers give themselves the opportunity to do a lot
Jason says: “In addition to directing his own films, Luc Besson has spent the past decade or two writing and producing action movies tailored to their stars; Michelle Yeoh was arguably the biggest female action star in the world during
Thom says: “I might have passed on this Danish uproarious comedy that is not without a cruel, macabre streak, had it not been a free viewing and I was delightfully suprised. This was adapted from the smash Danish television series
Jason says: “Animation fans will spend a great deal of time telling the rest of the world that the medium is good for more than children’s entertainment, and will point to movies with either violent content or mature themes to
Jason says: “It happens to nearly every writer, musician, or film director who doesn’t die young: Because they never really retire, they’ll eventually have an unimpressive period that runs longer than even a long run of success. Take William Friedkin,
Thom says: “This is the final TIFF 2011 film that I review, excepting others I will most likely see after this date. Quite a few are already playing in theaters including LE HAVRE, THE DESCENDANTS, MONEY PIT, & others. Wheatley
Bruce says: “The Dardennes are back with another tale of disillusioned youth. This time the subject child is Cyril (Thomas Doret) a child who has been dumped in an orphanage after his father Guy (Jérémie Renier) abandons him. Cyril’s first
Jason says: “THE KICK is frickin’ truth in advertising, living up to its title in every way it can. Not only does it feature more or less non-stop martial arts action, but it’s a kick – light, pure fun that
Jason says: “Winnipeg-based director Guy Maddin has never been anything less than unconventional, but some of his more recent efforts have met the mainstream halfway; they were peculiar films but the audience didn’t have to take up residence in Maddin’s
Chris says: “A fictional work based on a filmmaker’s own personal events risks a failure to resonate with or even translate to an audience. That’s exactly the problem with the latest from FORTY SHADES OF BLUE director Ira Sachs, which
Thom says: “Another recent winner from the enterprising Film Movement group this one emerges from Columbia, a rare treat. Karen, who’s married to a slimy businessman of no uncertain power decides to leave after ten years of an icy, reproachful,
Bruce says: “I’m probably not the right person to review a zombie film and I certainly would not do so had I disliked JUAN OF THE DEAD. But like LET THE RIGHT ONE IN which I loved, a film that
Thom says: “While the audience at the LGBT Film Festival went wild after the showing of this colorful representation of the early adult life of the legendary James Dean I felt like sneaking away in embarrassment. I’ve seen so many
