Bruce says: “Although I am not a huge fan of the two Panahi films I have seen (THE WHITE BALOON and THE CIRCLE), the director’s personal story has grabbed my attention. A poster child for freedom in art and human
Thom says: “It’s always nice to see ‘Six Feet Under’ alumnus Ambrose back on the boards and she fits her role here like a glove. Here she plays a down-on-her-luck single mother (Angela) with a precocious young daughter living in
Jason says: “THIN ICE started life as THE CONVINCER (and played Sundance under that name) before being re-cut and re-scored to its current form, and that name would have put a bit of a target on its back. The movie
Bruce says: “Comparisons to BRIDESMAIDS are inevitable – another female buddy raunch film. That would be unfair. THAT’S WHAT SHE SAID is equally outrageous, but its sentiments are more genuine and its characters have greater depth. And while we’re at
Bruce says: “Dennis (Kim Kold) is a 38 year old bodybuilder. He still lives with his mother Ingrid (Elsebeth Steentoft) who treats him as though he were just entering his teen years. Theirs is the quintessential co-dependent relationship. Normal boundaries
Jason says: “THE TALL MAN tries to do something worthy and interesting, at least at points, and those intentions certainly seem praiseworthy, but it just doesn’t work. the whole thing simply isn’t very well-constructed, to the extent that whether one
Bruce says: “TAKE THIS WALTZ will have more impact for those who have not seen Michelle Williams in BLUE VALENTINE or WENDY AND LUCY. In all of these films she plays young women in search of something undefinable and elusive.
Jason says: “I knew going in that TAI CHI ZERO had a follow-up coming out in fairly rapid succession (a one month gap in China, three in North America), and was still a bit surprised that the movie saves its
Jason says: “It might not be obvious from the opening, which is a fine action sequence, but THE SWORD IDENTITY perhaps works best as the straightest-faced spoof of martial arts films imaginable. It’s more than that, of course, but its
Jason says: “Ugh, what an unpleasant movie. Sure, it’s the sort of grittily flamboyant crime flick that has an audience, but it’s a hollow, mean-spirited thing that isn’t nearly clever or well executed enough to be worth it. “After serving
Bruce says: “Paprika! Whoever suspected she would end up in a romantic comedy in Buenos Aires? Anna (Paprika Steen) is a football fanatic and, wearing an agent’s hat, she brokers deals between businessmen and athletes. Her current client is the
Jason says: “SUNNY is flagrant nostalgia bait, but don’t count that against it – it’s genuinely funny, heartfelt nostalgia bait, and while that might seem odd to world cinema fans – few films that reach North America set in 1980s
Jason says: “Even as mock-documentary movies go, SUNFLOWER HOUR looks kind of bare bones, but partly by design. Of course, even when cheapness is part of the aesthetic, that doesn’t mean a filmmaker knows how to use it – despite
Chris says: “To make a movie about operating a movie theater is a subject close to my heart and usually enough for me to give the filmmaker a free pass. Such a premise adds considerable charm to STELLA DAYS; the
Jason says: “Stick around through the end credits of STARRY STARRY NIGHT, which appear to contain images from Jimmy Liao’s original illustrated book. It’s not just that they’re beautiful (they are) or that they imply that this pretty stunning film
Thom says: “I feel like an old crab not liking this more but it is becoming abundantly clear that I takes a lot of convincing for me to get into the conscience of the cult. Here, a couple ingratiate themselves
Jason says: “In the opening segment of THE SORCERER AND THE WHITE SNAKE (aka IT’S LOVE), an ice harpy played by Vivian Hsu throws boulder-sized hailstones at demon-hunting monk Fahai, who is able to dodge and counter-attack three or four
Jason says: “SONS OF NORWAY does as good a job as any movie at presenting the perspective of a kid for whom the world doesn’t make sense, and where every attempt at understanding misses the point. It’s got a light
Jason says: “I’ve got to admit, I felt like I had let someone down when it took me until SON OF SARDAAR repeated a fairly specific gag to recognize that it is much more than less an uncredited remake of
Bruce says: “Now here’s a film that is testimony to how international filmmaking has become. Directed by an Italian, bankrolled with Italian and US money, this English language film takes place in New York and stars primarily American actors. Based