Thom says: “Another recent winner from the enterprising Film Movement group this one emerges from Columbia, a rare treat. Karen, who’s married to a slimy businessman of no uncertain power decides to leave after ten years of an icy, reproachful,
Bruce says: “I’m probably not the right person to review a zombie film and I certainly would not do so had I disliked JUAN OF THE DEAD. But like LET THE RIGHT ONE IN which I loved, a film that
Thom says: “While the audience at the LGBT Film Festival went wild after the showing of this colorful representation of the early adult life of the legendary James Dean I felt like sneaking away in embarrassment. I’ve seen so many
Bruce says: “Credibility is hard to come by with a title JOE PAPP IN FIVE ACTS, knowing that a major portion of Joe Papp’s life, an act unto itself, was edited out of the film. Or worse, perhaps the filmmakers
Jason says: “I can’t say I’m a particular fan of sushi; in fact, I’m quite the culinary coward. But you don’t have to like a particular food to admire fine craftsmanship and dedication, and those are things that Jiro Ono
Thom says: “The Duplass brothers continue to improve as filmmakers; from THE PUFFY CHAIR to BAGHEAD to CYRUS they’ve improved. This is a mostly successful independent comedy that has a good attitude and a lot of laughs. Jeff (Segel, also
Jason says: “So, it looks like I’m going to have to start putting Jo Nesbø stuff in my Amazon basket, as any guy who comes up with the raw material for both this and HEADHUNTERS is my kind of darkly
Thom says: “Director Koreeda is a huge festival favorite having been lauded for such films as AFTER LIFE, NOBODY KNOWS, & STILL WALKING (already a part of the Criterion Collection). The story is reasonably simple here, but very sweet and
Thom says: “This is your below average gay hard-core mumble core movie. Jess has lived in San Francisco for nearly a decade and his finances have got the better of him and he’s moving back to Ohio. It’s going to
Bruce says: “****SPOILERS**** “This seems to be the season for wonderful, beautifully made films that cannot be recommended for everyone. Sparse in dialogue IT LOOKS PRETTY FROM A DISTANCE brings to mind disparate fare such as HUKKLE; GOODBYE, DRAGON INN;
Jason says: “It is, I suppose, unfair to judge this picture for not being conventional enough; it’s meant to be unusual and relatively plot-free. The question is, if you strip the basic building block of story away, what’s left? ISN’T
Michael says: “Kirby Dick won the Chlotrudis Award for Best Documentary with his film THIS FILM IS NOT YET RATED. Now he tackles sexual violence in the military with the same intensity and passion. This film is tough to watch,
Jason says: “It’s hard too believe that INTRUDERS is just Juan Carlos Fresnadillo’s third feature film; the past decade-plus has been pretty good for Spanish genre filmmakers whether working in their native tongue or English, and Fresnadillo’s 2001 film INTACTO
Bruce says: “THE INTOUCHABLES has been a box office sensation in France. It also has received high enough ratings to currently rank #78 on IMDb’s top 250 films. Fortunately I knew very little about the film beforehand so I arrived
Bruce says: “I’ve said it before – François Ozon is one of those filmmakers whose skills are immense but has yet to produce the masterpiece showcasing his talent. IN THE HOUSE is an expository film, one that centers on the
Jason says: “Hey, festivals, I know all I really want to know about the porn industry. Really, you can stop screening docs about it and films that are set there; folks give me funny looks after I tell them what
Jason says: “Ti West knows how to make his audience jump, which isn’t necessarily as easy as it sounds. Harder, though, is leading up to those jumps with light comedy and deep shivers, and West pulls that off, too. The
Bruce says: “Agnieszka Holland’s most acclaimed film – EUROPA, EUROPA – featured a young Jewish man who posed as a Hitler Youth to avoid his inevitable annihilation. With IN DARKNESS she returns to the holocaust once again. Nominated for a
Jason says: “The very title of THE IMPOSTER seems like it might be giving the game away, but it’s not hard to argue that this is entirely appropriate. Director Bart Layton opts to make the film a mystery only after
Thom says: “Directors Berman & Pulcini have a good track record with AMERICAN SPLENDOR, THE NANNIE DIARIES, & THE EXTRA MAN all worth checking out and while this film registers more of a sit-com script it still offers a bellyful