Bruce says: “THE BROKEN CIRCLE BREAKDOWN is a melodrama that could have been a disaster in lesser hands than that of director Felix Van Groeningen who interjects whimsy into a tale of romance and heartbreak. Adapted from a play, the
Bruce says: “Yet another Film Movement find although with the cast involved & that the film will open in theaters in March I suppose I would have run across it sooner than later, Still this is a marvelous first-time effort
Bruce says: “Shane Bitney Crone had a difficult childhood, gay in Montana. His mother, always loving and supportive, did her best to protect Shane from the living hell of bullying and threats. He was suicidal. He would get panic attacks
Jason says: “Jan Schmidt-Garre’s BREATH OF THE GODS is not a movie advocating yoga as much as it is an overview of the modern form’s history. In fact, it’s almost certainly going to be of strongest interest to those who
Bruce says: “Ramaa Mosely describes THE BRASS TEAPOT as a film about consumerism, love, relationships, shifting values and magical realism. That pretty much covers it, except for the violence. More about that later. “John (Michael Angarano) and Alice (Juno Temple)
Bruce says: “Richard (Don McKellar) and Sophie (Ariadna Gil) live in a suburban house formerly occupied by Mexican superstar singer Guillermo Garibai (Gonzalo Vega); Sophie conducts tours of many rooms that are filled with kitsch and recording memorabilia. Their home
Jason says: “The world may be a ruined desert in BOUNTY KILLER, complete with the usual settlements built entirely out of wreckage, elaborately made-up bands of wandering savages, and the like, but it’s also one where the one percent have
Jason says: “THE BODY (EL CUERPO in Spanish) is the sort of thriller that to all appearances never lets the audience get too far behind – in fact, it often feels like the viewers are ahead of the characters. That
Jason says: “I spent a lot of my time watching BLUE DREAM feeling like I didn’t know what was going on. That wasn’t strictly the case – I could certainly recognize what was happening in a given scene and could
Chris says: “It is impossible to see BLUEBIRD without drifting to thoughts of THE SWEET HEREAFTER. Both stories are set in small towns and feature an incident involving a school bus driver. BLUEBIRD takes place in the remote logging country
Kyle says: “Every year in late March, the Film Society of Lincoln Center and the Museum of Modern Art co-sponsor a festival called New Directors/New Films. Films screen at the FSLC’s Walter Reade Theater, and at MoMA’s Ray and Niuta
Thom says: “This Swedish dysfunctional upper-class family drama is clever and looks great. A demanding mother is about to celebrate her 70th birthday and invites all 3 of her daughters back for the festivities as well as a huge crowd
Jason says: “Two movies based on Snow White came out in the United States last year, and that seemed a little excessive. That wasn’t the extent of it, though – aside from the inevitable direct-to-video knock-offs, BLANCANIEVES came out in
Jason says: “When building a survival-in-the-wild thriller, most writers start with something like BLACK ROCK and then add stuff – elaborate kills, extra plot twists, maybe some sort of weird backdrop. That’s the usual path, but the makers of this
Jason says: “Mock me for my lack of appreciation for great literature, but my interest in BIG SUR didn’t come from it being an adaptation of a Jack Kerouac work. Instead, it was Michael Polish’s presence as screenwriter and director
Jason says: “Well, there’s certainly no denying that BIG ASS SPIDER! delivers what it promises – that is certainly one big-ass spider menacing Los Angeles from the very start. For those that want maybe a little more to their movies,
Bruce says: “Director Christian Mungiu is on the record for stating BEYOND THE HILLS is about extremism and the harm it does to society. That is an answer to those who think the film is only about religion. His acclaimed
Chris says: “Bert Stern’s contributions to the art of photography are major enough to justify a feature-length documentary about them: for starters, look to his truly innovative Smirnoff Vodka ads that transformed Madison Avenue advertising in the 1950s, his portraits
Kyle says: “AT BERKELEY and THE LAST OF THE UNJUST share little in common aside from both being Main Slate screenings of the 51st New York Film Festival, both having very long running times, and both being sharply revealing contemporary
Jason says: “BERBERIAN SOUND STUDIO brought a film called AMER to mind, even though the two are spectacularly different in the way they pay tribute to Italian giallo movies. What they have in common is a deep affection for the