Michael says: “Of all of William Faulkner’s catalog, I have only read The Sound and the Fury, but that is enough to tell me that James Franco successfully captures the tone and feel of Faulkner in his co-written adaptation of
Kyle says: “DUCH, MASTER OF THE FORGES OF HELL was one of the features of the recent series titled ‘Old Ghosts, New Dreams: The Emerging Cambodian Cinema’ shown at the Film Society of Lincoln Center from April 19 to 25,
Kyle says: “The New York Premiere of DRUG WAR brought out enough fans of the great Hong Kong director Johnnie To to fill the Walter Reade Theater, although more than likely, the combination of drugs, cops, criminals and gun battles
Bruce says: “It is impossible to sit through DORMANT BEAUTY and not think about TALK TO HER, Pedro Almodóvar’s brilliant film about the events surrounding two women in comas. While DORMANT BEAUTY also has a similar pair – one on
Jason says: “DOOMSDAYS has gags. Lots and lots of gags about a pair of guys who, figuring that the world is going to hell anyway, just walk around taking what they want as they go through a vacation town in
Chris says: “Joseph Gordon-Levitt is the rare child actor who, as an adult has sculpted a markedly distinct career and identity. He’s also difficult to pin down, having convincingly played everything from a gay hustler (MYSTERIOUS SKIN) to a lovesick
Chris says: “Divine was great and could unquestionably carry a film, but could Harris Glen Milstead do the same? Of course, Divine was Milstead’s outrageous drag alter-ego and left such a vivid legacy behind no one would dare argue against
Jason says: “What is there to say about DISCOPATH that matters to anybody outside its relatively narrow target audience? It’s a slasher movie with a simple but absurd concept and some impressive effects work to show the mayhem, and both
Thom says: “This film has received lots of top, glowing reviews so I went with huge expectations but I was underwhelmed. It could be considered CRASH for the Internet Age except the three stories told here, aren’t interconnected. While not
Jason says: “Idle question: When seeing a film about bullying – whether or not it leads to school shootings or not – is it considered a success on the part of the film makers or evidence that I’m a horrible
Jason says: “No prior experience with Bollywood’s biggest action franchise is necessary to enjoy DHOOM: 3, and that appears to be very much by design – the heroes carried over from the previous two installments are very much secondary to
Jason says: “THE DEFECTOR is a documentary adventure of sorts – it embeds the filmmakers and audience in a situation that has very real danger as things happen, rather than having the filmmakers dig up what they can later. Sure,
Jason says: “I DECLARE WAR is a terrific little coming-of-age movie that’s made all the better because there are no adults and no real crises in it; it’s just kids evolving into something that’s not quite the same as what
Jason says: “Even those of us who have never seen Ricky Jay do close-up magic will likely recognize the man from his side gigs as a character actor – and if you stay through the credits of those movies and
Jason says: “‘THE DEAD EXPERIMENT’ is going to get abused as a title. There’s the way it’s probably meant to be taken, as a sinister-sounding article-adjective-noun combination, but it also turns out to be a true sentence describing the plot
Bruce says: “The value of such films as DAY OF THE FLOWERS lies not in cinematic prowess of any sort. They help us understand the many layers of many cultures that most of us never experience firsthand. On the plus
Chris says: “On paper, this scans as a calculated attempt by Matthew McConaughey to complete his multi-film rehabilitation from rom-com leading man joke to well-respected, award-winning Actor. However, from the instant you see him startlingly emaciated as Ron Woodruff, you
Chris says: “At the very least, CRYSTAL FAIRY features two irrefutably memorable, if supremely irritating characters, both of them twenty-something Americans in Chile. The first, Jamie (Michael Cera) babbles on pretentiously about The Doors of Perception and harbors an obsession
Bruce says: “LES COQUILLETTES is an enjoyable piece of fluff, an example of amateur filmmaking pushing its way into the festival circuit, possibly the mainstream. Anyone can be a filmmaker today especially if they can tap into the beat of
Jason says: “If movies were graded on a strict plus-minus system, CONFESSION OF MURDER would grade out as average; it’s packed full of silly and unbelievable plotting and twists along with a feeling of missed opportunities with its media satire,