Jason says: “In the Q&A after the movie, the filmmakers described how EJECTA sort of came together as a sort of chimera, with its two distinct tracks being shot well apart and stitched together like a Frankenstein’s monster. It’s not
Jason says: “SNABBA CASH II was released under the title EASY MONEY: HARD TO KILL in the US last week a year and a half after it played in Sweden. This choice of date and title apparently driven by a
Kyle says: “Beloved of stoners and consumers of various mind-altering substances in the 1970s and beyond (full disclosure: myself included), Alejandro Jodorowsky is remembered as much for the paucity of his oeuvres, as for such classics as EL TOPO (1970)
Jason says: “It says something, either about my expectations or what Richard Ayoade pulled off, that THE DOUBLE is actually more peculiar than I had figured on a movie about a man meeting a dead ringer who is his opposite
Don’t Ask Me Questions: The Unsung Life of Graham Parker & The Rumour (USA; 95 min.) directed by: Michael Gramaglia documentary Thom says: “Earlier in my life nothing possessed me like music for a number of years & I went
Jason says: “Dom Hemingway feels like he’s the sort of character Jude Law could settle into and play for a while, so perhaps it’s only fitting that the movie itself plays like a couple episodes of a TV show that
Doctor Proctor’s Fart Powder (Norway; 87 min.) directed by: Arild Fröhlichstarring: Eilif Hellum Noraker; Emilly Glaister; Kristopher Joner; Marian Saastad Ottesen; Alte Antonsen Jason says: “All things considered, DOCTOR PROCTOR’S FART POWDER has got to be one of the least
Thom says: “While director Schlöndorff doesn’t have quite the cachet of contemporaries Herzog, Fassbinder, or Wenders he still has a fairly consistent track record with THE TIN DRUM, YOUNG TORLESS, THE LOST HONOUR OF KATHARINA BLUM, COUP DE GRACE, CIRCLE
Michael says: “For his latest film, Atom Egoyan tackled the controversial true story of the West Memphis Three, a court case about the shocking murder of three young boys. Three young men were targeted as the murderers because of the
The Desert (Argentina; 98 min.) directed by: Chritsoph Behlstarring: Lautaro Delgado; William Procluk; Victoria Almeida; Lucas LaGré Jason says: “There’s a lot to like about Christoph Behl’s post-apocalyptic love triangle, and the fact that it can be described as such
Kyle says: “’Dear White People: The amount of black friends required not to seem racist has just been raised to two. Sorry, your weed man Tyrone doesn’t count!’ Thus Samantha White (Tessa Thompson) begins her Winchester University campus radio show
Thom says: “Yes, I’ve seen them all: PLANET OF THE APES (1968, 4 CATS), BENEATH THE PLANET OF THE APES (1970, 4 CATS), ESCAPE FROM THE PLANET OF THE APES (1971, 4.5 CATS), CONQUEST OF THE PLANET OF THE APES
Jason says: “I wouldn’t necessarily expect Alejandro Jodorowsky to be particularly prone to nostalgia; the director, writer, and ‘psychomagician’ has, throughout his career, favored the grandly imaginative and metaphysical to the mundane to an extent that few in any medium
Brett says: “CUB is a film loaded with potential for a horror film, taking its premise from the campfire stories that are commonplace among scouts crowded around the camp fire in the woods on a weekend retreat. This premise is
Jason says: “Even by black comedy standards, CRIMES AGAINST HUMANITY is kind of on the mean side. That’s no knock; mean can work, especially in a movie like this that is more about tying jokes together than building to one
The Creeping Garden (USK; 81 min.) directed by: Tim Graham & Jasper Sharpdocumentary Jason says: “I take a certain amount of pride in seeing/reviewing movies like this at festivals, and I half think it’s why some issue me press passes
Creep (USA; 82 min.) directed by: Patrick Bricestarring: Patrick Brice; Mark Duplas Jason says: “My only issues with CREEP have nothing whatsoever to do with the movie itself. First, there’s the generic title – it’s only been ten years since
TC says: “Loosely adapted from the Stanislaw Lem novel (who would probably say ‘VERY loosely’), this film is almost impossible to review, because as a film writer and fan, the thought of the stuff going on in this film is
Jason says: “There are a number of paths to directing major motion pictures, and I suspect that the one Tze Chun is on is fairly common: Do some shorts, make a truly independent film that’s close to your heart for
Jason says: “COHERENCE is one of the talkiest, most actor-centric sci-fi films you’re ever likely to see, but this is a case where that’s a pretty good thing. Sure, something this odd and improv-heavy can invite disaster when a neat