Chris says: “Hal Hartley’s gotten the whole gang back together to complete a trilogy also comprised of HENRY FOOL (1997) and FAY GRIM (2006): Thomas Jay Ryan, Parker Posey and James Urbaniak all reprise their now iconic (in indie film
Jason says: “Eleven years ago, Shunji Iwai made HANA AND ALICE, a well-received movie about two high-school best friends smitten with the same boy, praised in large part for the performances by Anne Suzuki and Yu Aoi as the title
Jason says: “Although MR. SIX isn’t much different in substance to any number of ‘aging tough guy stands up to disrespectful young punks’ movies, it eases the audience into that story with a little more care than is typical, and
Jaso says: “One of the interesting things about Sherlock Holmes is that, for as much as he is one of the most iconic and well-defined characters ever created, he rarely subsumes an actor playing the role – for as fine
Jason says: “A MOST VIOLENT YEAR was shot from an original screenplay by director J.C. Chandor, but it feels like a highly successful adaptation of a great novel: Painted on a broad canvas, giving a feeling for the characters and
Jason says: “The title of MOMENTUM is appropriate in a way the people behind the film probably don’t intend; momentum, after all, is a measure of the potential energy of an object that is moving but in a passive, unguided
Jason says: “There has been a lot of talk, both this weekend and leading up to it, about what a massive global juggernaut STAR WARS: THE FORCE AWAKENS would be at the box office and how it was sucking up
Jason says: “Stories about art and artists are fantastic opportunities for makers of animated films, and I suspect that if I knew more about Japanese art, I’d be even more impressed by how MISS HOKUSAI uses it to give its
Jason says: “One of the most enjoyable parts of this festival (and movie-going in general) over the past few years has been finding kid-friendly movies that brothers and sisters-in-law would deem okay for their girls despite never having heard of
Jason says: “The mountain that gives MERU its title is described within the film as ‘the anti-Everest’, although as you might expect, that does not mean that it is a pleasant ascent even for those who get winded by the
Jason says: “Brian Wilson and the Beach Boys made some of their best songs (and one of pop music’s greatest albums) by meticulously – indeed, maniacally – piecing small fractions together that aren’t naturally found near each other, inventing what
Jason says: “The most impressive thing about MERCHANTS OF DOUBT may be the apparent lack of resignation on the part of its makers. It is, after all, a documentary that is well-researched, clear in its message, and attractively presented, but
Jason says: “A sequel to CROUCHING TIGER, HIDDEN DRAGON was supposed to open on Imax screens this weekend, but that seems to have fallen into some bizarre limbo. Still, as South Korea’s MEMORIES OF THE SWORD begins, one might naturally
Jason says: “There are plenty of reasons to be wary of ME AND EARL AND THE DYING GIRL from the start, it’s got a seeming tendency to be glib and self-aware in a way that doesn’t always do it many
Michael says: “I just enjoyed an odd little movie called MATCH written and directed by Stephen Belber (who wrote Richard Linklater’s TAPE). It stars Patrick Stewart, as a famed ballet dancer and choreographer, who now lives a solitary existence teaching
Jason says: “More of this, please. “I’ve got no idea whether this reboot of Sweden’s JÖNSSONLIGAN franchise was popular enough to spawn sequels, but I want it to be. It’s a neat, tight little caper movie that introduces its characters
Thom says: “This entertaining sci-fi thriller reminded me a bit of 2013 multi-Oscar box office boffo returns GRAVITY, which was an original screen play. THE MARTIAN was adapted from Andy Weir’s bestselling novel. While this newish, Oscar-nominated film made less
Jason says: “While, to a certain extent, murder is murder, a story that could be easily set in any era becomes much more fascinating when placed in a specific time, and not just because cell phones, GPS, and security cameras
Kyle says: “Maverick writer/director Larry Clark received an award from the Rome Film Festival in 2012 for MARFA GIRL, which has since made sporadic appearances at various international film festivals, before finally making its DVD and Netflix debuts in the
Jason says: “Hollywood stories can be self-indulgent or snide, depending on what sort of axes the people making them have to grind, rarely managing to hit the sweet spot in the middle. What they seldom are, though, is extraneous, but