Bruce says: “LOVE IS THE PERFECT CRIME succeeds largely for two reasons: an excellent cast headed by the able Mathieu Amalric and a moody wintery backdrop of the French Alps exquisitely photographed by Guillaume Deffontaines. Amalric (THE DIVING BELL AND
Jason says: “To say that THE LOOKALIKE starts out kind of charming overlooks what happens in the first few minutes to set things in motion, but it still does well enough in introducing its cast of characters that it looks
Jason says: “Steven Knight’s LOCKE does not take place entirely within the confines of the title character’s car as he makes the ninety-minute drive north to London, as there may in fact be an entire minute or two given to
Jason says: “Those who have been following Hirokazu Kore-eda’s career for roughly the last decade may find it a little surprising that the two six-year-old boys at the center of LIKE FATHER LIKE SON (SOSHITE CHICI NI NARU in the
Chris says: “From a contemporary viewpoint, it’s unexpected to discover that Roger Ebert had no academic background or concentrated expertise in film when he secured his post as The Chicago Sun-Times’ film critic in 1967. Of course, there were few
Jason says: “After seeing this, a festival buddy suggested that part of the reason this fell flat for her was that we’d just seen another over-the-top revenge piece in PUZZLE. I didn’t have quite the same reaction; where she was
Jason says: “As soon as he or she sees Nick Damici in this movie, blind but still a gruff former soldier, about to be placed in a retirement community, even the jaded moviegoer may smile a bit. It’s not the
Jason says: “Earlier in this festival, I saw a post-apocalyptic movie where the nature of the end of civilization seemed particularly incidental, and where even though the stakes were high, the whole thing seemed quite inconsequential. THE LAST DAYS (LOS
Jason says: “There is something to be said for filmmakers (or anyone) getting out of their comfort zone. Both directors Aaron Katz and Martha Stephens are known for certain types of movies – Katz for some of the better youth-oriented
Jason says: “Sometimes, a movie spends so long introducing itself that it barely has time to do anything, which feels like the case for KUNDO: AGE OF THE RAMPANT. I think it’s because this movie wants so badly to be
Jason says: “Aside from a cameo in the next year’s RA ONE, Rajnikanth’s last film was 2010’s bonkers but memorable ENDHIRAN, and it appears that the delay in his next starring role can be attributed to both health and script
Jason says: “This live-action adaptation of Yasuomi Umetsu’s animated series has apparently been in development for fifteen years, and the end result is one to make you wonder why certain projects persist and eventually get made in some form while
Jason says: “THE KINGDOM OF DREAMS AND MADNESS is sometimes described as ‘a year in the life of Studio Ghibli’, and one which is potentially its last year as an active production house. Many fans will likely be fascinated to
To Kill a Man (Chile; 82 min.) directed by: Alejandro Fernández Almendrasstarring: Daniel Candia; Daniel Antivilo; Ariel Mateluna,; Alejandra Yañez Kyle says: “TO KILL A MAN sets up the conventions of a revenge thriller and takes us in an unexpected
Jason says: “‘Kids For Cash!’ makes a great tabloid headline – heck, it looks good on a broadsheet when something akin to the scandal that this movie documents is discovered. It may not be the best title for this particular
Kept (Japan; 71 min.) directed by: Maki Mizuistarring: Momoha; Ken Koba; Kayano; Iona; Fuzuki Jason says: “The folks who made KEPT don’t usually do this sort of thing; their names usually show up on light-hearted but bloody genre movies. The
Jason says: “Joe R. Lansdale is a writer much beloved by crime & horror fans but who has never really broken through to mainstream recognition the way contemporaries like Steven King and Clive Barker have; Jim Mickle is an independent
Thom says: “This is a bulging, pompous, treacly mess of a film that has big bucks written all over it. Here Downey Jr. (he takes his A-List status very seriously these days) plays a Chicago defense lawyer of dubious moral
Kyle says: “JOURNEY TO THE WEST is a wild comedic fantasy based on a 16th century Chinese text that occupies a significant place in Chinese culture and has been adapted many times for many different media. In the New Directors/New
Jason says: “I wonder where filmmakers start and wind up, in terms of motivation and attitude, when making something like MY NAME IS JONAH. It seems awfully cynical if the final product is what they envisioned, but if not… Well,