Jason says: “I initially started this review by writing about how wonderfully weird Japanese science fiction is, no matter what the medium, but the truth is, DUAL CITY isn’t that strange, at least not by those standards. It’s mainly just
Jason says: “Short-term time travel is the trickiest sort of science fiction to create; it doesn’t necessarily have to be a perfect Moebius strip structurally, but any shortcomings in that department must be more than made up in other ways.
Jason says: “DETECTIVE CHINATOWN inevitably runs head-on into the biggest problem screwball mysteries face – it is extremely difficult to take both your slapstick comedy and murder investigation seriously in the same story – but manages to be impressively entertaining
Lorraine says: “In January 1914, a horrible murder shook up the city of Budapest. One of the most high-profile courtesans in town, Elza Mágnás, was strangled and her body was thrown into the icy water of the Danube. DEMIMONDE chronicles
Jason says: “There’s a plot to CREATIVE CONTROL to go with its speculative elements, but truth be told, it’s not at its strongest when either of those are front and center. Instead, it sings when the filmmakers find nifty little
Bruce says: “Having written the screenplays for RUST AND BONE, DHEEPAN, and SAINT LAURENT Thomas Bidegain is no outsider dabbling in film. He directs his first film with the hand of a master. The acting, editing, cinematography and use of
Jason says: “The title of THE CONFIRMATION doesn’t do it a lot of favors, unless the misadventures that its characters go through parallel that particular Catholic ritual in ways that aren’t particularly obvious to those of us who don’t share
Bruce says: “Although I have not yet seen SPOTLIGHT, I’m sure there is a comparison to be made. Both films deal with priests and abuse cover-ups. Pablo Larrain (TONY MANERO, NO) takes us to a house in a remote Chilean
Bruce says: “Director Trapero (White Elephant) strikes all the right notes in this truth-is-stranger-than-fiction tale about the Puccio clan. Guillermo Francella is sensational as Arquimedes Puccio, a vigilante who kidnapped and killed several people from prominent families in protest of
Jason says: “There are bits of CHONGQING HOT POT that are clever, nifty, and well-executed enough that one almost wishes that filmmaker Yang Qing had a little bit more room to maneuver than he has in a contemporary Chinese crime
Michael says: “I haven’t seen all of Kelly Reichardt’s films, but CERTAIN WOMEN is the fourth, and the most fully realized in a string of strong films including OLD JOY, WENDY & LUCY, and MEEKS’ CUTOFF. Based on a collection
Thom says: “I’ve been quite a fan of Thai director Apichatpong Weerasethakul for some 15 years now since and his brilliant return to form here is as exciting as films get if your aura takes a cerebral nature. He’s been
Brett says: “If anyone hasn’t gotten the memo, Bel Powley is an extremely captivating performer on screen. In the coming-of-age film CARRIE PILBY, Powley sets the tone from the very first shot with casual, subdued mannerisms that make all the
Jason says: “I’ve been wrong about these things on a fairly regular basis, so I’m not going to question the American release of Mamoru Hosada’s THE BOY AND THE BEAST on the same day that the Walt Disney Company puts
Jason says: “Truth be told, I’m kind of surprised we haven’t seen more things like BAND OF ROBBERS since various Sherlock Holmes projects showed that audiences would go for beloved nineteenth-century characters reinvented for the modern age, if only because
Jason says: “Though all independent films have to deal with the realities of building something that can potentially make its investment back, it’s a little more obvious for genre films, especially science fiction. Not only does every bit of visual
Jason says: “The French title of this film, AVRIL ET LE MONDE TRUQUÉ, actually translates to ‘April in the Twisted World’, which may be more fitting, because as much as it is extraordinary and a delight to watch, it’s a
Jason says: “Sometimes, I feel like I’m an easy mark for movies like ALREADY TOMORROW IN HONG KONG – they are basically two people flirting for an hour or two while walking around a foreign city, allowing the viewer to
Bruce says: “A prerequisite to seeing this film is knowledge of Tsai Ming-laing’s films and his muse and leading man in all of his films, Lee Kang-sheng. The two men are lovers, spiritually and emotionally. They work together and live
Jason says: “ZOMBEAVERS gives the audience what they want from a movie with that title, pretty much the way they want it, and that way involves puppets. Puppets and blood. “Director Jordan Rubin and co-writers Al & Jon Kaplan are