Jason says: “I wasn’t really looking forward to NEW YORK NEW YORK; the trailer made it look like yet another nostalgic Chinese romance, and not a particularly involving one. And yet, once it gets past its opening flash-forward, maybe even
Thom says: “Alex de la Iglesia is such a fun director that I think about him all the time. For some 23 years now he has consistently gone the extra mile to make extravagant rich entertainments that are delightfully complex
Kyle says: “MOUNTAINS MAY DEPART is only the eighth feature film by iconoclastic virtually legendary Chinese director Jia Zhangke. According to his own words during a New York Film Festival Q & A last fall, he had thought about not
Michael says: “Barry Jenkins second feature film, following the delightful, indie romance, MEDICINE FOR MELANCHOLY, is a bit of a visual poem, exploring race and sexuality in a way that at first glance might seem straightforward, but is surely something
Jason says: “I’ve read that the English-dubbed version of MONSTER HUNT (releasing at about the same time the original Mandarin version hits the United States) cuts a few scenes, including one where dog meat is seen offered for sale in
Jason says: “Believe it or not, this is not the first Chinese fantasy sequel I’ve seen where not having seen the predecessor was no big deal because it starts with ‘500 years have passed…’ This is a good thing, because
Jason says: “William Monahan’s new film is right on the line between the crime movies where the filmmakers are aware of the genre’s tropes and can therefore share a wink as it uses or avoids them and the movies which
Jeff says: “If you liked the Jeff Nichols/Michael Shannon collaboration in 2011’s TAKE SHELTER, you’ll probably find this little sci-fi thriller worth a look. The ending settles for some gee whiz special effects that sort of take the edge off
TC says: “This gem is not getting the notice it should here in the states, and it’s a shame, since it’s one of Michel Gondry’s best. Daniel AKA Microbe is small for his age and often mistaken for a girl.
Jason says: “About ten years ago, Stephen Chow Sing-chi was briefly kind of popular in the States when the writer/director/star’s quick one-two punch of SHAOLIN SOCCER and KUNG FU HUSTLE, followed by CJ7, had pretty good theatrical runs for foreign
Michael says: “Writer/director Ken Lonergan made a big splash with his directorial debut, YOU CAN COUNT ON ME. Since then, it’s been sixteen years, and MANCHESTER BY THE SEA is only his third directorial effort. He’s written a bunch of
Thom says: “I’d like to recommend LOVE & FRIENDSHIP. Sire, who doesn’t love Jane Austen & Whit Stillman but this adaptation from Lady Susan a novella from the divine Austen is downright brilliant. Kate Beckinsale is stunning as the wicked
Bruce says: “Joachim Trier ventures into English-speaking territory with a story of a family grieving for a wife/mother. Grieving, contrary to those who believe in absolutes, has ambivalent dimensions. The acting, directing and production values are way above par; however
Michael says: “I sure hope you got to see this when it had its very successful run earlier this year in the theaters. Greek director Yorgos Lathimos (DOGTOOTH; ALPS) brings us his first English-language film, a hilarious, dark, and pointed
TC says: “I adored this film when we saw it at IFFB this year – and we are actively pushing its two young stars Theo Taplitz and Michael Barbieri, who just charmed the socks off of us in this beautiful
Thom says: “LA LA LAND is a pleasant film that will probably be ever remembered as the movie that won a Best Film Oscar only to be announced seconds later that it hadn’t received the prize statuette, but rather the
TC says: “I know it’s not eligible for the Trudys, but it’s a masterpiece all the same… don’t want to say much because you need to see it, but it’s going to give the very good but not perfect FINDING
Chris says: “Winner of the John Cassavetes award at this year’s Independent Spirits, this low-budget indie reminds me a little of Jane Campion’s early work (particularly SWEETIE) in that it’s about familial relations and everything seems just a little off
Jason says: “Like a lot of movies where the filmmakers want to both celebrate family and build a story about what kind of stresses it can place on people, KAPOOR AND SONS can swing from one to the other fast
Jason says: “I’m not sure how much of a coincidence it is that Priyanka Chopra’s most recent Bollywood film is getting is global release on a weekend when she has a fairly high profile in the United States – she