Bob says: “A look at immigrant life in a gentrifying area of London, with Brexit hanging over everything. A Bulgarian woman, her brother (both well educated) and her son are eking out a life in a former council flat in Peckham.
Michael says: “Structurally, there’s nothing really all that noteworthy about WORDS ON BATHROOM WALLS, a high school rom-com that hits all the right beats and plays out in a fairly expected manner. What makes WORDS ON BATHROOM WALLS notable, and
Thom says: “I’m happy to see an intellectual shift in my comic essence. For whatever reason I never was much of a Chaplin fan for the majority of my life although in the past 5 years I quite liked LIMELIGHT
Thom says: “The extremely sensitive subject of transgender children is treated here with some understanding and compassion. Enough so that some insensitive bastard criticizing on Ratings and Reviews for New Movies and TV Shows – IMDb wrote that the educators
Diane says: “I think I must be the target audience for WANDER DARKLY. I was completely sucked into every emotion in this chameleonic romance/psychological thriller that has touches of horror and dry humor. The two attractive leads don’t hurt. “LA couple
Jason says: “Looking at the cast list for LE GRAND CHEF 2: KIMCHI BATTLE should raise some alarms; the main couple from the first film has been recast and a completely new character has first billing. Given that the plot
Diane says: “A convicted pyromaniac returns home after prison time. Home is his elderly mother’s simple cottage in rural and remote Galicia, in northwest Spain. We know from the title that fire will come again. But don’t expect a thriller or
Jason says: “MAI MAI MIRACLE is charming. It’s a nostalgic memoir about growing up as free-range kids, but we can use all the good ones we can get before we run out of people who grew up that way. Nicely
Thom says: “Here’s an early film from Hollywood legendary director Frank Capra (IT HAPPENED ONE NIGHT, MR. DEEDS GOES TO TOWN, LOST HORIZON, YOU CAN’T TAKE IT WITH YOU, MR. SMITH GOES TO WASHINGTON, MEET JOHN DOE, ARSENIC & OLD
Michael says: “Another film that started off strong, with a great premise, that really crashed and burned for me, and as time has passed, I’ve been trying to decide why this film ultimately failed for me, and I can’t quite
Michael says: “FREELAND started off promising, as Devi (Krisha Fairchild), a former hippie and successful marijuana dealer with a large farm in California, struggles to transform her grass-roots, (illegal) sole proprietorship, into a legitimate business in competition with big national distributors,
Michael says: “Told in ‘Rashomon’ style, from three different points of view, FAREWELL AMOR is a complex and difficult story of a family trying ti come to America from Angola after the Civil War. Walter has been in New York
Michael says: “Apparently German director Petzold, has built up quite a following with his last three films (TRANSIT, PHOENIX, BARBARA) and his latest, UNDINE, is a bit of a change of style for him. An undine is a mythical water
Thom says: “My brother has a dear friend in Seattle who’s a great film scholar and aficionado and he recently recommended Mexican auteur Arturo Ripstein with some 60 films credited to him. In fact, he’s still working. His films have
Thom says: “This highly-praised WWII film by the talented Mendes (AMERICAN BEAUTY) is especially impressive with its technical gifts following two British soldiers as they navigate a rough battle path trying to avoid bombs, bullets, & accidents hoping to deliver
Chris says: “Matt DeHart, a ‘hacktivist’ charged with a crime he claims he didn’t commit is a fascinating subject for a doc/expose, but this format, heavy on reenactments and shocking reveals, does him no favors. In the tradition of CITIZENFOUR,
Chris says: “Ostensibly a romance between Issa (Salim Dau), a lifelong bachelor who announces, ‘I’ve decided to get married’ and Siham (Hiam Abbass), a seamstress with an adult daughter, this plays out with a slight surreal twinge, almost like a
Chris says: “Billy Tipton, a jazz musician born as a woman who presented himself to the world as a man, is obviously an intriguing subject for a documentary, but it’s actually only a part of this one. NO ORDINARY MAN
Michael says: “You know you’re watching something perversely special when it features an ejaculating cactus. Paying liberal homage to the strangers films of Guy Maddin, Matthew Rankin’s first feature film is a wildly inventive, biopic (in the loosest sense of
Michael says: “I have taken to watching films without really finding out too much about them first. Usually it’s one or two sentences from the synopsis, and I’ll make up my mind. SOUND OF METAL came as a big surprise,