Michael says: “Despite the rave reviews I have read/heard about this documentary, I have to say I was pretty unimpressed. THE KIDS STAYS IN THE PICTURE chronicles the career of Robert Evans, young actor turned longtime head of Paramount Pictures,
Ellen says: “Okay, basically I would not want to be a woman (or a man for that matter) in Afghanistan. This film shows the horrific way of life that these people lead. An interesting slice of life that I never
Diane says: “JUNG is a cinema-verité docu about an Italian doctor, British nurse, and Italian journalist working to set up a hospital for war victims in northern Afghanistan. I had the same reaction as I did to NO MAN’S LAND:
Robin says: “There is not a lot new to the original screenplay by James Kearns, which is the weakest aspect of the film. It is often trite, manipulative and derivative of other films, but the craftwork behind the camera and
Michael says: “In what is surely the surprise darling of the Toronto Film festival, Scherfig’s ITALIAN FOR BEGINNERS proves that the dogme 95 manifesto can be used to stunning effect in a deadpan, romantic comedy. Laughter and tears, sometimes simultaneously, are
Laura says: “Unemployed San Bernadino cameraman Ron Kobeleski (Dylan Haggerty) has his life turned around and his family placed in jeopardy by the simple act of meeting retired neighbor Walter Ohlinger (Raymond Barry). The video document Ron’s requested of Walter
SPOILERS below Laura says: “Igby (Kieran Culkin) watched his father (Bill Pullman) lose his grip with reality under his mother’s (Susan Sarandon) withering gaze before he reached his teens. He introduces his older brother (Ryan Phillippe) as ‘majoring in
Michael says: “The first film we saw on Saturday was Mira Nair’s latest film, HYSTERICAL BLINDNESS. No psuedo-Bollywood, or Indian weddings here. Based on a play, this film was executive produced by and starred Uma Thurman. Thurman must have seen
Clinton says: “Charlie Kaufman, the writer behind the wildly inventive BEING JOHN MALKOVICH, teams up with another influential music video director, Michel Goundry, who’s visual flair has elevated Bjork’s videos to near-perfect mini-movies (MALKOVICH director Spike Jones also stepped up