Chris says: “The season’s bloated literary adaptation / historical epic Oscar bait is Anthony Minghella’s first film since the similarly crafted and still underrated THE TALENTED MR. RIPLEY. It’s no masterpiece, but it exceeded my expectations nonetheless. Jude Law gives
Michael says: “One might think that the docuemntary CINEMANIA might have something to do with people similar to some Chlotrudis members we all know. One would be WRONG! CINEMANIA is a documentary examining the rather extreme and bizarre lives of
Hilary says: “This one is a toughie not for the faint of heart. I know its the curse of my generation to constantly draw comparisons, but stylistically and thematically this film evokes AMORES PERROS, plus PULP FICTION and KIDS.
Laura says: “In late 1800’s Korea significant artists, all schooled intellectuals of the time, curried favor with Government officials in hopes of the ultimate commission – working at the king’s palace as a royal painter. A wealthy man dared to
Michael says: “Maverick independent filmmaker John Sayles takes a look at the different paths open to children in modern-day Mexico in CASA DE LOS BABYS, a film that offers no answers, but highlights some terrific acting. The film is centered
Bob G. says: “The most fascinating thing about this documentary is not only the subject matter, which is about as disturbing as anything you’ll ever see, but how filmmaker Andrew Jarecki maintains almost complete objectivity in his portrayal of the
Ivy says: “This feature film debut is a daring challenge following 5 story lines as they intersect and eventually overlap starting with the simple connection of a bullfighting bull’s body parts after it has fought and been slaughtered. “The cinematography
Hilary says: “Normally I’m not a fan of ‘feel-good’ movies. However, CAMP won over my inner cynic through the successful combination of two guilty pleasures – the teen romantic comedy and the summer camp movie – with musical numbers. “I’m
Bob G. says: “(WARNING: Slight spoiler included) “CABIN FEVER is a nasty little genre picture that, if it took itself a hair more seriously, would be a B-Horror-Pic classic in a league at least close to films to which it
Bruce says: “When I first saw THE COOK, THE THIEF, HIS WIFE, & HER LOVER I was totally mesmerized by Helen Mirren. Her work in the ‘Prime Suspect’ series reinforced my high opinion of her. I should have known better
