Michael says: “CRIMSON GOLD is the latest film by Iranian director Jafar Panahi (THE CIRCLE) written by Abbas Kiarostami (TEN, A TASTE OF CHERRY.) This circular film examines the class inequities in Iran in a similar way to Panahi’s THE
Bruce says: “While for some time THE DAYS OF BEING WILD has been available for viewing at home in the room of your choice, it has never before had a theatrical release in the United States. Made in 1991, it
Hilary says: “This remake of 2002 Chlotrudis-eligible film NINE QUEENS managed to be even more boring than the original. “John C. Reilly, Diego Luna, and Maggie Gyllenhaal go through the paces of a ridiculous elaborate con plot and the result
Bruce says: “American media often mentions that Al Jazeera is influencing the entire Arab world, creating anti-American propaganda. The Western world identifies Al Jazeera primarily as the outlet for all the Bin Laden tapes. It is not far-fetched to assume
Bruce says: “In 1712 Thomas Newcomen invented a steam engine that pumped water from the depths of coal mines, making them safer and more accessible. This event triggered the Industrial Age; everything could suddenly be measured in units – units
Bruce says: “THE COMPANY is a difficult film to classify because it isn’t much of anything. Robert Altman loves tackling complicated scenarios. One would think a peek-a-boo film about what goes on behind the scenes at a dance company would
Bruce says: “What exactly does the title of this film mean? Four different definitions could be possibilities: running side by side, concomitant, serving to support, and subordinate. “Jamie Foxx plays Max, a LA taxi driver who always has a dream
Bruce says: “The prolific Michael Winterbottom (BUTTERFLY KISS, JUDE, WELCOME TO SARAJEVO, WONDERLAND, 24 HOUR PARTY PEOPLE and IN THIS WORLD) could never be accused of making the same film twice. Each of his works is very different from the
Diane says: “Found most of this tedious. Maybe because I don’t like coffee _or cigarettes? I enjoyed three or four of the eleven conversations: the closing one with Rice and Mead listening to an imagined Mahler lied (Beckett-like), the great
Janet says: “Just got back from the Embassy Cinema after seeing this film about a quartet of lovers who lust after and betray one another, and I’m very excited about it. I’m not a Julia fan—every time I see her