Michael says: “There have been many film versions of Georges Bizet’s opera Carmen, but U-CARMEN EKHAYELITSHA must certainly be one of the most vivid, enthralling, and satisfying to date. Director Dornford-May first presented this African Carmen on stage with the
Bruce says: “VODKA LEMON is short on plot but long on atmosphere and political statement. In is winter in Armenia and the small village is covered with heavy snow. It is a dry climate, for most of the people sit
Chris says: “As I watched Michael Cuesta’s subtly audacious follow-up to L.I.E., I was continually anxious. The film sets up and courts so many potential wrong turns (dubious ones that Todd Solondz would probably gleefully travel down), but then constantly
Michael says: “I think trailers for foreign films about children with English-language voiceover should be BANNED! TURTLES CAN FLY follows NOBODY KNOWS with a trailer that waxes poetic about nobility, hope, inspiration… in over-sentimentalized, lyrical prose when the truth is,
Michael says: “I’ve been trying to keep up with 2005 films I’ve missed in the theatre by catching them on DVD when they appear. The most recent in this category is a bit of Japanese anime entitled A TREE OF
Chris says: “This Thai film begins as a generally straightforward, refreshingly matter-of-fact gay romance between Keng, a soldier, and Tong, a young man from the provinces. This goes on for about an hour, building up a heady sense of erotic
Beth C. says: “TRAVELLERS & MAGICIANS uses the popular ‘story-within-a-story’ method to present a character’s moral crisis within the context of other people who have gone through similar struggles. I found this film to be enjoyable and entertaining for the
Hilary says: “Struggling door-to-door encyclopedia salesman Alfredo’s (Javier Camara, TALK TO HER, BAD EDUCATION) boss, Don Carlos (Juan Diego), offers him a choice: participate in a series of ‘educational’ films the encyclopedia company will be producing for their Scandinavian market,
Bruce says: “The French really know how to capture self-absorption. When it works for me as in the current LOOK AT ME, it is a joy. Other recent films such as RED LIGHTS, LOVE ME IF YOU DARE, KINGS AND
Michael says: “In the tradition of Tsai Ming Liang’s masterful WHAT TIME IS IT THERE, Jun Ichikawa’s TONY TAKITANI is a tale of loneliness filled with gorgeous imagery and moments of sudden humor. Tony’s mother died in childbirth, and he