Diane says: “First of all, I had been foiled in my movie-going efforts a few weeks ago because everything had such rotten reviews. PALINDROMES is a good example: HAPPINESS is one of my faves, but reading that PALINDROMES is more
Hilary says: “I am relieved to read that Ismail Merchant was working on another film at the time of his death. I would be terribly sad if that this Hollywood-Normative-in-indie-clothing was his last credit. The plot (such as it is)
Hilary says: “I laughed all the way through this darkly funny ensemble piece. The cast is a shoo-in for Best Cast: Lisa Kudrow reminds us that she’s much more than Phoebe Buffay, Tom Arnold manages not to be completely annoying,
Diane says: “Director and screenwriter Fatih Akin, himself born in Hamburg to Turkish parents, tells a bleak and bloody story of two Turkish Germans, Cahit and Sibel, who meet after their respective suicide attempts and form a marriage of convenience.
Hilary says: “Writer/director/actor Yvan Attal and real-life wife Charlotte Gainsbourg (stars of 2002 Chlotrudis-eligible MY WIFE IS AN ACTRESS) team up again as Vincent and Gabrielle, a couple struggling with marriage, family life, fidelity, and identity. Vincent spends much time
Michael says: “There are some films that are powerful and fascinating to see even if they’re not really films I would say were impressively made. CASUISTRY: THE ART OF KILLING A CAT, which I saw at last year’s Toronto International
Michael says: “This disappointing film had so much going for it. It was written and directed by Anders Thomas Jensen, whose writing credits include Susanne Beir’s wonderful films BROTHERS and OPEN HEARTS, as well as Lone Scherfig’s Chlotrudis Awards nominee,
Diane says: “A fine docu, about which I have lots to say. Those who have seen MARCH OF THE PENGUINS can say how well they work together. Good old Werner Herzog, last seen in INCIDENT AT LOCH NESS, uses that
Chris says: “This historical recreation of Edward R. Murrow’s televised expose of Joseph McCarthy is a strong second directorial effort from George Clooney. The impressive ensemble is headed by David Strathairn, who delivers a career-best performance as Murrow; also good
Michael says: “I attended Hal Hartley’s THE GIRL FROM MONDAY with much anticipation, being such a fan of the director’s deadpan wit, and wry observations on relationships. Hartley goes the science fiction route in MONDAY to tell the story of