Jeff says: “The place you go after you commit suicide resembles one of the seedier neighborhoods of Los Angeles. You might think you’re still living on earth, except there are no stars, nobody ever smiles, and your friend’s car has
Jason says: “It would be completely wrong of me spoil the thing in THE LAST WINTER that made me go from thinking it was a nice little ‘isolated area (and maybe something else) starts messing with people’ horror movie to
Bruce says: “Jan (Lars Brygmann), manager of the upscale dining room on one of the day ferry lines in the Baltic, arrives at work with a black eye. ‘Is there a problem?’ his boss Erilk (Søren Pilmark) asks. Jan makes
Chris says: “Gus Van Sant is listed as one of the executive producers, but throughout this positively odd but rarely boring first feature from director Cam Archer, I was expecting to see Todd Haynes’ name instead. As I watched this
Bruce says: “This film is a perfect companion piece for WHO GETS TO CALL IT ART?, a film that explains how Henry Geldzahler became a power broker for the contemporary art scene in New York during the latter part of
Bruce says: “This film would make a great double feature with AUDIENCE OF ONE. Both feature overzealous ministers who stop at nothing to accomplish goals which are both ill-defined and elusive. WHAT WOULD JESUS BUY? is the story of Reverend
Michael says: “Tsai Ming-Liang’s THE WAYWARD CLOUD, is a sequel of sorts to the brilliant WHAT TIME IS IT THERE? It was a brilliant film, but definitely not quite what I was expecting. THE WAYWARD CLOUD is a sweetly subversive,
Jason says: “It’s probably not a good idea to try to learn about a game by seeing a movie about it. Based upon THE WAR OF FLOWER (aka TAZZA: THE HIGH ROLLERS), I’m dumbfounded at the idea that hwatu could
Bruce says: “**Spoilers** “VITUS is a surprisingly slick and competent drama about a child prodigy who desperately wants to be normal. When we first see Vitus (Teo Gheorghiu) he is twelve and has stolen a private plane which he is
Michael says: “How can you review WAITRESS without thinking about the tragic circumstances surrounding writer/director Adrienne Shelly’s demise? It is a testament to Shelly’s talents, particularly as a writer, that WAITRESS is a delightful film that rises above the harsh