Michael says: “At certain points throughout FAY GRIM, the latest film by Chlotrudis Award winner Hal Hartley, particularly as the screen went black and the credits began to roll, a little thrill of excitement skittered down my spine. It’s the
Barbara says: “FACTORY GIRL outlines the bizarre and very sad life of Edie Sedgewick and her relationship with Andy Warhol whose ‘genius’ is surpassed by his meanness. Though the movies leaves you with a ‘What a waste of lives’ feeling,
Jason says: “EVERYBODY WANTS TO BE ITALIAN is a delightfully slight romantic comedy. The film has a cute hook but isn’t held hostage by it, there are only one or two characters who aren’t at least occasionally funny, and the
Michael says: “One of the things I love about the Chlotrudis/Brattle co-presented Sunday Eye Opener series is that it gives me the opportunity to see films I would never select on my own. Johnnie To’s EXILED is one such film.
Bruce says: “Aside from two or three lovely moments, EUPHORIA is a rather grim and dreary film. Filmed on the steppes of Russia, the terrain is bleak and the story, bleaker. After meeting Vera at a wedding months earlier, Pavel
Michael says: “Who can resist Cate Blanchett, royal, imperious, hair unbound, clad in armor, riding on a white horse? Apparently not me, as I went to see ELIZABETH: THE GOLDEN AGE on opening weekend. I enjoyed ELIZABETH, one of Blanchett’s
Bruce says: “Triads in Hong Kong are similar to Mafia families in Italy and the United States. Each triad controls a specific geographic area and often a certain type of criminal activity such as drug trafficking, gambling, smuggling, prostitution, running
Jay says: “Some people really enjoy when they’re the only ones in the theater, and I can dig that, especially for a matinee where you might have come for the specific point of not dealing with the boors who can
Bruce says: “Georgia Lee wrote and directed this enjoyable comedy about the Wongs, a dysfunctional Chinese-American family. The three Wong daughters are all going through major changes. Samantha (Jacqueline Kim), the oldest daughter, gave up a promising opportunity to study
Michael says: “Is it a nostalgia piece looking back on working class lives on Long Island in the late 70’s? Is it a tale of big corporations taking the livelihoods of the individual? Is it a coming-of-age story about a