Bruce says: “This film is a rarity because it features a central character that is not particularly likeable yet his story is funny and illustrative of a major problem facing communities worldwide – what to do with the aged. “Lucien
Jason says: “The late 1960s were a tumultuous time in Korea’s history (but what part of the 20th Century wasn’t?). That’s a non factor through much of ONCE IN A SUMMER, which is a likable if kind of lightweight romance…
Bruce says: “Curious how such a film could become a critic’s darling. Using two non-professional actors John Carney tells a story about songwriters who meet on the streets of Dublin and connect in more ways than one. Or do they?
Bruce says: “Critics of the Bush Administration’s war in Iraq have been quick to disagree with almost every important decision made along the way. Dismissed as naysayers and accused of lacking patriotism, the critics had difficulty disproving decisions for the
Bruce says: “The African films I’ve seen recently have all been quite melodramatic; THE NARROW PATH is no exception. Awero (Sola Asedeko), a young village girl is beautiful and much in demand as a potential wife for men in neighboring
Michael says: “The Provincetown International Film Festival kicked off with a misstep with this cloying, clumsily scripted film about an Indian family living in Scotland. Nina returns to Glasgow from London for her father’s funeral after fleeing her family and
Bruce says: “**Spoilers** “Nathalie Baye is billed as ‘cast against type’ in MY SON. One wonders who might have been the right type for the psychotic nightmare of a mother, other than Isabelle Huppert, of course. Ms. Baye proves that
Bruce says: “MURDERERS (MEURTRIÈRES) is a pointless film – it’s not a character study, cautionary tale, or sociological study. It has been given the air of a mystery or possibly a thriller but it fall flat in those departments as
Bruce says: “Mr. Vig is 82. His ‘old ambition is to create something enduring’ and to that end he has decided to give his estate, Hesbjerg Castle, to a Russian Orthodox religious order. As the film begins, Sister Ambrosija arrives
Michael says: “That MO got made is something to admire, at the very least. Making a feature film is no easy thing, and even though the subject clearly means a lot to director Brian Lederman, it takes more than one