Bruce says: “Many famous films have twins as characters: HANNAH AND HER SISTERS, THERE WILL BE BLOOD, GONE WITH THE WIND, GIANT but they remain just a statement of fact or a plot adjunct, not an exploration of a phenomenon.
Jeff says: “**Slight spoilers** “A high-powered, middle-aged Parisian lawyer (Fabrice Luchini) comes to Monaco to defend an older woman against charges that she murdered her much younger Russian lover. He’s thrown into full-on mid-life crisis mode when a free-spirited (or
Jason says: “Mai Iskander has made a fine documentary in GARBAGE DREAMS, the type that is about people first, and does a fine job of being issue-oriented without hammering away at buzzwords like ‘globalizatioN.’ For all that, I must admit
Bruce says: “Garapa is a mixture of sugar and water, heated so that the sugar dissolves thoroughly. Sadly, it is the main source of nourishment for many children in South America and Africa, children whose parents cannot find jobs to
Michael says: “FOR THE LOVE OF MOVIES: THE STORY OF AMERICAN FILM CRITICISM – What a joy to attend the New England premiere of friend and long-time Chlotrudis supporters Gerry Peary and Amy Geller’s film, FOR THE LOVE OF MOVIES:
Beth Curran says: “Set in Denmark during its WWII occupation, the film tells the story of two famous Danish resistance fighters, Flame and Citron, and tells it with eyes open and no holds barred, which has made it quite a
Bruce says: “Fedor (Aleksei Kravchenko) is a happy man. He and his partner drive large trucks from town to town, drinking vodka and picking up women. Fedor connects with various women everywhere he goes but he also appreciates the occasional
Michael says: “A well-acted, mature romantic comedy is hard to come by in this day and age, and this Israeli film by a Russian director fits the bill very well. Yigal drives a taxi, and remains good friends with his
Jason says: “FINE, TOTALLY FINE has one of the highest quirk-to-story ratios ever recorded in a feature-length motion picture. It is, admittedly, though to measure, as both the plot and the digressions from it are so wispy that it’s almost
Bruce says: “**Spoilers** “THE FISH CHILD is taboo director Lucia Puenzo’s follow-up to the remarkable XXY. Based on her own novel, the multilayered story unfolds with flashbacks through different periods of time, creating a jigsaw effect. The storyline is complex