Jason says: “THE SECRET OF THE GRAIN is filled with things that make for great movies and great drama – opening a new restaurant, conflict between new and old families after divorce, being an ethnic minority, adultery, and cooking delicious
Diane says: “Leafing through the September 2007 issue of Vogue is a big job. I’m on page 208 and my arms are already tired, with 632 pages to go. The table of contents appears after 145 pages of ads. Now
Bruce says: “SCHEHERAZADE: TELL ME A STORY weaves the tales of women who, in order to survive, have to tell a story. From the opening credits featuring bright red tomatoes on a black counter top, director Yousry Nasrallah forces to
Thom says: “This dreary, little entry from Norway was incredibly frustrating. A ‘happy’ family is torn asunder when the mother is killed by a car. The father and son are both so dreadfully unlikable that I had no interest at
Michael says: “This Finnish horror story touches on so many themes that it threatens to overwhelm, but somehow, writer Iiro Küttner manages to weave them all together and along with director Antti-Jussi Annila manages to create an elegant monster movie
Jason says: “Can I be honest about something? I can’t warm up to hippies, or counterculture. In the abstract, I am all for a philosophy of living your life any way you want so long as you don’t hurt anyone
Jason says: “I’ve got to be honest here… I kind of wanted a different ending on this. Part of what’s so much fun about Korean movies is that they don’t seem obligated to take even familiar genre films in the
Diane says: “Forgive me, I can only review this as movie vs. book. I read the book once, and listened to the audiobook three times. I am awed by Cormac McCarthy’s language in The Road. ‘The cold relentless circling of
Jason says: “I take no joy in disliking RiP: A REMIX MANIFESTO. I agree with many of its principles; I’ve done plenty of highly-derivative works for fun in my time and think U.S. copyright law is out of control. But,
Jason says: “The Best Foreign Language Film Oscar often drives film nuts crazy. The countries’ film boards don’t submit the movie we consider their nation’s masterpiece for the year, and then at every cut (short list, nominees, winner) we get