Jason says: “WORLD’S GREATEST DAD is deliciously black comedy, the sort that revels not just in how horrible the characters can be, but also regularly raises that bar by going for absurdity as well. That’s not terribly uncommon; lots of
Diane says: “I have a problem with Holocaust movies! I can’t help but consider them as entertainment and not as windows into the horror of what happened. When SCHINDLER’S LIST came out, my reaction was ‘movies shouldn’t be made about
Jason says: “To a certain extent, I don’t care who the audience for WOMEN IN TROUBLE is – it made me laugh out loud and then did a little more than amuse me, and that makes it good in my
Bruce says: “Sonia (Félicité Wouassi) is having many difficulties – with her gambling husband George (Mamadou Dioumé), her pregnant daughter Suze (Elisabeth Oppong), her seemingly suicidal pre-adolescent son Leo (Charles-Étienne N’Diaye) and her son Victor (Ralph Amoussou) who is running
Diane says: “Lacking the directorial genius of Jonathan Caouette (TARNATION) and the painfully fascinating subjects of GREY GARDENS, deceased Harvard film prof Richard Rogers tried for twenty-five years to create an autobiographical documentary. He failed. In fact, Rogers called himself
Jason says: “For most documentaries, the narrator is relatively anonymous – a reassuringly familiar celebrity voice, perhaps with some connection to the subject matter. For WILLIAM KUNSTLER: DISTURBING THE UNIVERSE, it is Kunstler’s youngest daughter, Emily, who made the film
Bruce says: “Winner of the Palme d’Or at Cannes, Michael Haneke (THE PIANO TEACHER, CACHÉ, BENNY’S VIDEO, FUNNY GAMES, THE TIME OF THE WOLF) finally gets his well deserved recognition. Not that his films are always satisfying. I cannot think
Jason says: “I sympathize with the Boone County D.A. who, in the opening reel of THE WILD AND WONDERFUL WHITES OF WEST VIRGINIA, asks why the White family should get so much attention. There’s a boy in the county from
Thom says: “For all the world I thought this was going to be a box office smash due to the general nature of the story and the great big “Hollywood” presence of the production. But the public reception to the
Thom says: “After being a minor Woody Allen fan for years I turned very sour on him for a span. After returning to his films with the witty MELINDA AND MELINDA (due to the presence of must-see Chloë Sevigny) all