Bruce says: “There is enough interesting subject matter in THE IMPORTANCE OF BEING ELEGANT to make at least two documentaries. As it stands, the film that has been made is sorely lacking in focus and depth. High fashion wars among
Jason says: “Ordinarily, when good people make a bad movie, there’s a tendency to hunt for where things went wrong. THE IMAGINARIUM OF DOCTOR PARNASSUS offers an obvious and logical culprit: The sudden death of its star, Heath Ledger, midway
Michael says: “While certainly doing something different than what the festival circuit is used to regarding Philippine cinema, i.e. avoiding the slums and focusing on a more middle-class family, IF I KNEW WHAT YOU SAID ends up coming across like
Jason says: “It is one of the oldest tricks in the book, despite having rather limited success, as far as I can tell: Take a franchise that has seen better days and revive it, only the new protagonist is no
Jason says: “I SELL THE DEAD is one of those movies that sits somewhere between comedy and horror and threatens to be neither one. The horror elements are rooted in the familiar rather than the unknown, but there’s often enough
Jason says: “Sure, this may not look like a Chlotrudis movie at first, but it’s hard for something to get more independent – or more Canadian! – than this! 🙂 “Every once in a while, I’ll get an email from
Diane says: “My stomach was in knots during the whole of THE HURT LOCKER a fine-grained study of a three-man American bomb squad unit in Iraq. Camera stays so close to the characters that you think what they think. The
Bruce says: “Award winning video artist Steve McQueen makes a stunning directorial debut with his evocative film documenting the conditions leading up to the 1981 hunger strike led by Bobby Sands at Her Majesty’s Maze prison nine miles from Belfast.
Jason says: “I haven’t seen Lynn Shelton’s first feature, but MY EFFORTLESS BRILLIANCE and HUMPDAYT form an interesting pattern, and not just in how both are kicked off by an old friend visiting unannounced. Unlike many female independent filmmakers who
Thom says: “Dante seems to be stuck in a child/scary mode with most of his feature films (GREMLINS is a good example) and while does have a fun quotient it’s not very special. Two brothers who have moved to a