Jason says: “I considered skipping the 20TH CENTURY BOYS double feature at Fantasia, not out of disinterest or fear that it wouldn’t be any good, but because the weeks that translations of Naoki Urusawa’s manga are released are the ones
Peg says: “This odd, often bleak little film starring Joaquin Phoenix and Gwyneth Paltrow stumbles as it starts but eventually settles into an absorbing character driven drama. Not quite a love story, this is more a narrative of surviving a
Jeff says: “A young Kazakh man returns to the steppe after serving as a diver in the Russian navy, dreaming of his own yurt, a pretty wife, and a prosperous flock of sheep under a starry sky. Alas, the only
Jason says: “TRUCKER is a working-class drama, and that may be a factor in why it didn’t get released on more screens. Dig into it a little, and it’s similar to Up in the Air – a story about a
Jason says: “TRUE ADOLESCENTS is a small-budgeted independent film that’s just a swift kick or two from the mainstream. Yes, the execution is mostly what one would expect from the recent wave of chatty, self-examining indie filmmakers, but the basic
Jason says: “As much as I enjoyed South by Southwest, I must admit that I wish I had seen more of Austin. I bought a guidebook but never cracked it open, and thus my experience with the city is more
Diane says: “TREELESS MOUNTAIN is a Korean film about two little girls whose mother dumps them with relatives. The seven- and five-year-old leads (no acting experience) are just extraordinary, as is American director So Yong Kim for bringing out these
Jason says: “A TOWN CALLED PANIC hit me just right tonight; it might not have on another day. It is, you see, an extraordinarily silly animated film, and sometimes one just doesn’t feel like silliness. Of course, those times may
Jason says: “Anthology films like TOKYO ONLYPIC should probably not be graded on how good they are as a whole, but more on how good the best segments are, and how man segments should be in that group. On those
Jason says: “Typically, anthology films like TOKYO! will focus on looking at a subject, whether that be an idea or (as in recent projects like PARIS, JE T’AIME) a city from multiple angles to see it as a whole, generally