Diane says: “Lacking the directorial genius of Jonathan Caouette (TARNATION) and the painfully fascinating subjects of GREY GARDENS, deceased Harvard film prof Richard Rogers tried for twenty-five years to create an autobiographical documentary. He failed. In fact, Rogers called himself
Jason says: “For most documentaries, the narrator is relatively anonymous – a reassuringly familiar celebrity voice, perhaps with some connection to the subject matter. For WILLIAM KUNSTLER: DISTURBING THE UNIVERSE, it is Kunstler’s youngest daughter, Emily, who made the film
Bruce says: “Winner of the Palme d’Or at Cannes, Michael Haneke (THE PIANO TEACHER, CACHÉ, BENNY’S VIDEO, FUNNY GAMES, THE TIME OF THE WOLF) finally gets his well deserved recognition. Not that his films are always satisfying. I cannot think
Jason says: “I sympathize with the Boone County D.A. who, in the opening reel of THE WILD AND WONDERFUL WHITES OF WEST VIRGINIA, asks why the White family should get so much attention. There’s a boy in the county from
Thom says: “For all the world I thought this was going to be a box office smash due to the general nature of the story and the great big “Hollywood” presence of the production. But the public reception to the
Thom says: “After being a minor Woody Allen fan for years I turned very sour on him for a span. After returning to his films with the witty MELINDA AND MELINDA (due to the presence of must-see Chloë Sevigny) all
Michael says: “I was a big fan of Ondi Timoner’s documentary DiG! from a few years ago, so I was intrigued to see what her next project was like. WE LIVE IN PUBLIC explores the increasingly blurry line between public
Jason says: “At certain points, the fact that Warlords licked around for a while without a U.S. distributor despite being an epic with high production values and a star in Jet Li who is still relatively bankable was taken as
Jason says: “I was, perhaps, a little hard on THE WAY WE GET BY when I first got out of it. It’s like that, sometimes, when you’re at a festival and really want to see one movie, can’t get in,
Michael says: “Drawing parallels between the chaos of making a film and that same unpredictability in life, Tsai Ming-liang has made his most far out and in many ways exciting movie to date. Kang, who we have come to know