Thom says: “Oh dear, Barry Levinson (MAN OF THE YEAR, LIBERTY HEIGHTS, BANDITS, GOOD MORNING, VIETNAM, WAG THE DOG, SLEEPERS, DINER, THE NATURAL, & YOUNG SHERLOCK HOLMES among others) has slipped to directing a horror, sci-fi, thriller about ‘found’ footage
Jason says: “BARBARA starts at an interesting place; others with its basic template will set things up, give the audience a sense of who its characters are before putting them in a new situation. Writer/director Christian Petzold goes a different
Jason says: “Some martial-arts action flicks are all-around great movies, and many are capable, if not exceptional. A distressing number, though, are one trick ponies, with good action scenes being held together by connective tissue that is given so much
Bruce says: “A film such a BAM150 has no right to be in any film festival. It is a vanity project commissioned by Brooklyn Academy of Music (BAM) directors Karen Brooks Hopkins and Joseph Melillo, more propaganda than a work
Chris says: “This night-before-the-wedding comedy cannot transcend the simple fact that in the end, it’s a mishmash of BRIDESMAIDS and THE HANGOVER, even when you can sense a sincere attempt to be something more. Kirsten Dunst (whose sharp timing is
Jason says: “I’ve already seen and reviewed a couple of movies about Dominican ballplayers trying to make the American major leagues – one fairly lightweight documentary (RUMBO A LAS GRANDES LIGAS) and one feature (the excellent SUGAR) – so I
Jason says: “These days, there aren’t a whole lot of movies being made using animation because they wouldn’t work any other way; digital capture and effects have come too far, so even ambitious manga are done live-action now. There are
Jason says: “Is Álex de la Iglesia getting a little soft as he ages? Though he’s not credited with the screenplay here (nor is frequent collaborator Jorge Guerricaechevarría), it still seems a bit surprising that de la Iglesia, given material
Jason says: “After watching YOU ARE THE APPLE OF MY EYE, I learned that it was even more autobiographical than most coming-of-age movies; read a rumor that it was among the most elaborate attempts gestures ever made to declare one’s
Chris says: “When you have a lead character whose actions are as extremely despicable as those of Robert Miller, you need an actor so rakishly charming as to avoid alienating your audience. Aging like fine cheese, silver-haired Richard Gere nearly