Bruce says: “The USA started the ball rolling with HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING in 1967 (based on the Broadway show that debuted six years earlier) and Canada gave us THE APPRENTICESHIP OF DUDDY KRAVITZ in 1974.
Gebo and the Shadow (Portugal/France; 95 min.) directed by: Manoel de Oliveira starring: Michael Lonsdale; Claudia Cardinale; Leonor Silveira; Jeanne Moreau; Ricardo Trêpa Bruce says: “This film was my biggest disappointment at the 2012 Toronto International Film Festival. Just when
Jason says: “GANDU is almost more interesting for what it is – an ‘anti-Bollywood’ movie – than as a movie with characters and story and all. Shot in stark black-and-white, and musically propelled by hard-edged Bengali rap, it focuses on
Bruce says: “In Provincetown I described GAYBY as a gay Judd Apatow film, thinking that was a terse description. I did not mean my comment to be pejorative in any way but it did prevent at least one friend from
Jason says: “It’s a horrible thing when a caper movie doesn’t come off. The great ones are casual and precise in a way that seems to come as much from alchemy as chemistry, and when that doesn’t happen, it seems
Chris says: “Creativity is nebulous; what inspires and motivates us often varies maddeningly from one artist to another, making it near impossible to form a general hypothesis on how people create. And yet, certain motifs and a collective camaraderie emerges
Jason says: “You don’t really need that much of a hook for a coming-of-age film – they’re more or less going to cover the same territory, albeit in different ways – but it doesn’t hurt to have one. That way,
Jason says: “THE FP is the sort of flick that is precisely built to appeal to a certain category of movie fans, who are often surprised when it doesn’t do much for others. I have no doubt that it will
Jason says: “The makers of this anthology were given dozens of instructions that ranged from restrictive to twee, or so the legend goes, although ultimately they had a fair amount of leeway so long as they made a movie on
Thom says: “This is an amazingly problematic, thoughtful, but off-putting film. It’s a 4-character study that starts out with a middle-age roly-poly African American salesman, Joe, having an assignation with a white 15-year-old-boy, June. Wendell Pierce, who anyone that loves