Jason says: “FOR LOVE’S SAKE is the sort of crazy mix of adolescent emotions that seem over-the-top when you describe it, often going from pure sweetness to eye-rolling to angry violence in the very same scene. It’s just what one
Thom says: “The essence of this Film Movement experience is a beautiful one but the awkward interpretation brought it down a peg for me. Ellie. a young girl from Israel, has moved to the United States in the 1980s because
Chris says: “An Israeli father and son, both well-versed scholars in Talmudic studies, experience conflict when one is mistakenly awarded a prestigious annual prize that was actually meant for the other. The mistaken winner, however, is unaware of the mistake.
Jason says: “Foreign movies often take a while to open in the United States for a number of reasons, and while the eight months since FLYING SWORDS OF DRAGON GATE (LEE MEN FEI JIA) opened in Hong Kong actually isn’t
Jason says: “FOLKLORE is the sort of comedy that will, over the course of the film, tell the audience about a hundred jokes in the hope that enough hit to make the whole thing worth it. It’s got a hit
Jason says: “It sort of makes sense when Hollywood makes a movie about something that happened outside the borders of America and Europe but makes a white guy the protagonist – silly, but understandable. When a Chinese filmmaker decides that
Bruce says: “Similar to documentaries 51 BIRCH STREET and STORIES WE TELL, THE FLAT is the story of a filmmaker who discovers hidden stories in his family history. This time the history involves not parents as in the previously mentioned
Bruce says: “Rather like John Sayles who has consistently alternated between acting & writing to acquire enough money to independently produce his own films, Burns has become a reliable B-list actor to finance his directorial projects. But while Sayles has
Diane says: “How long is it now that we’ve been watching docs about kids in competitions? Is there no end? FIRST POSITION follows half a dozen kids, aged 11 to 17, in their quest to score in the Youth America
Jason says: “LOVE FICTION is a romantic comedy that never quite gels, despite a pair of fairly likable leads and Jeon Kye-soo’s script having a quirky, individual voice. The trouble is that said voice is often using unusual words to