Jason says: “It’s a horrible thing when a caper movie doesn’t come off. The great ones are casual and precise in a way that seems to come as much from alchemy as chemistry, and when that doesn’t happen, it seems
Chris says: “Creativity is nebulous; what inspires and motivates us often varies maddeningly from one artist to another, making it near impossible to form a general hypothesis on how people create. And yet, certain motifs and a collective camaraderie emerges
Jason says: “You don’t really need that much of a hook for a coming-of-age film – they’re more or less going to cover the same territory, albeit in different ways – but it doesn’t hurt to have one. That way,
Jason says: “THE FP is the sort of flick that is precisely built to appeal to a certain category of movie fans, who are often surprised when it doesn’t do much for others. I have no doubt that it will
Jason says: “The makers of this anthology were given dozens of instructions that ranged from restrictive to twee, or so the legend goes, although ultimately they had a fair amount of leeway so long as they made a movie on
Thom says: “This is an amazingly problematic, thoughtful, but off-putting film. It’s a 4-character study that starts out with a middle-age roly-poly African American salesman, Joe, having an assignation with a white 15-year-old-boy, June. Wendell Pierce, who anyone that loves
Jason says: “FOR LOVE’S SAKE is the sort of crazy mix of adolescent emotions that seem over-the-top when you describe it, often going from pure sweetness to eye-rolling to angry violence in the very same scene. It’s just what one
Thom says: “The essence of this Film Movement experience is a beautiful one but the awkward interpretation brought it down a peg for me. Ellie. a young girl from Israel, has moved to the United States in the 1980s because
Chris says: “An Israeli father and son, both well-versed scholars in Talmudic studies, experience conflict when one is mistakenly awarded a prestigious annual prize that was actually meant for the other. The mistaken winner, however, is unaware of the mistake.
Jason says: “Foreign movies often take a while to open in the United States for a number of reasons, and while the eight months since FLYING SWORDS OF DRAGON GATE (LEE MEN FEI JIA) opened in Hong Kong actually isn’t