Bruce says: “What begins as a filmmaker’s conceit turns out to be a wonderful sociological essay on rural life in northern Egypt. Namir Abdel Messeeh was born in Egypt and his parents left him behind when they emigrated to France.
Jason says: “V/H/S is an anthology film with six segments (including the spine), each of which is the product of up-and-coming independent [horror] directors, and each of which makes an attempt to do something interesting with the ‘found footage’ conceit.
Jason says: “Times are tough for everybody, although ‘tough’ can be a relative concept. The further you get from the bottom, not only does it get further from what many would consider really difficult, but harder to sympathize, at least
Thom says: “While I’m certainly familiar with many of André Téchiné’s films including THE GIRL ON THE TRAIN, SCENE OF THE CRIME, RENDEZ-VOUS, BAROCCO, STRAYED, THE WITNESSES the only one I’ll truly remember is WILD REEDS (1994). He’s always a
Thom says: “With so many great films behind him (including RAISE THE RED LANTERN, CURSE OF THE GOLDEN FLOWER, HERO, SHANGHAI TRIAD, HOUSE OF FLYING DAGGERS, & many others) I would have thought this lovely film would have, at least,
Thom says:b”This Australian television film was a real eye-opener. Connolly’s work is mostly unfamiliar to me although I did see THE BANK (2001, 3 CATS). This was a thrilling and awe-inspiring true story about the late-teen scene of one of
Ibad says: “There are many films that capture the bleak landscape of humanity, with an emphasis on the treatment of women, that come across as manipulative, misogynistic, forced, and/or sadistic. No such thing in TYRANNOSAUR. Although it doesn’t deliver on
Bruce says: “Director Ivana Mladenovic admits that the genesis of her film began as a narrative feature film crew got permission to film in a prison using inmates as actors. Although she did not go into detail, that venture fell
Bruce says: “The purpose of the New Directors/New Films Festival is to promote emerging talent. The festival has a remarkable track record, having discovered many directors who are now considered leaders in their field. The festival is remarkably open to
Thom says: “In 1889 German philosopher Friedrich Nietzsche witnessed the flagellation of a horse while traveling in Turin, Italy. He tossed his arms o’er the horse’s neck to safeguard it then collapsed to the soil. In less than one month,