Thom says: “Gyllenhaal brought me to this buddy cop drama that used that too-oft-used new film technique of using hand-held cameras for film footage. Has this worked well anywhere except for [REC]2. Brian Taylor & Mike Zavala are best friends
Jason says: “At no point during WE NEED TO TALK ABOUT KEVIN are the words of the title actually spoken, but it’s not like it would have made a difference if they were. There’s just nothing you can do about
Jason says: “No matter the cultures involved, movies like WARRIORS OF THE RAINBOW: SEEDIQ BALE follow a certain tragic pattern: Conquest, valiant rebellion, inevitable clampdown. Here, the invaders are the Japanese, the natives are Taiwan’s Seediq people, and the way
Jason says: “Understand this: THE WARPED FOREST isn’t a sequel to FUNKY FOREST: THE FIRST CONTACT (the famously trippy film director/co-writer Shunichiro Miki made with Katsuhito Ishii and Hajime Ishimine); it’s a movie Miki made out of the ideas that
Michael says: “THE WAITING ROOM is director Peter Nicks’ feature doc debut, and in it, he takes us through 24 hours of a busy hospital emergency waiting room. I joked before I saw it that it was a real look
Jason says: “VULGARIA would certainly be an example of writer/director Pang Ho-Cheung’s incredible recent productivity if it were nothing else; it’s his second film of the year, shot in a ridiculous twelve days. Of course, it is something else –
Jason says: “WAGNER AND ME is probably only going to be terribly educational for those like myself whose musical knowledge is relatively shallow – the folks who sing ‘kill the wab-bit!’ to ourselves when a certain bit of Richard Wagner’s
Bruce says: “‘I’m fighting for generations that come after me,’ Vitto Russo states early in this excellent documentary. ‘When you talk about gay rights you have to talk about Vito,’ a friend tells the camera. Born in east Harlem but
Bruce says: “Three of my Toronto International Film Festival films in 2012 were selected based on a single criterion, that I had never before seen a film from its country. Those countries were Angola, Guatemala and Mozambique. “When Soviet-backed bush
Jason says: “THE VIRAL FACTOR aims to be a throwback to the pre-Hollywood films of John Woo, combining stylish action with even grander melodrama. And while director Dante Lam likely has more in common with today’s John Woo than the