Michael says: “Saw my first film at the New Directors/New Films Festival in NYC this weekend, and it was powerful. Noora is a young woman living in Iran who is in some sort of trouble. She has been barred from
Thom says: “Another TIFF entry that I had ridiculously high expectations for that crashed me back to Earth. I loved Goldthwait’s WORLD’S GREATEST DAD so much that I included it in my TOP 10 for 2009 so this was certain
Bruce says: “Carlos Sorin returns to Patagonia, the setting of his wistful 2004 film BOMBÓN: EL PERRO. One might call GONE FISHING a double road story. The main character Mario (Alejandro Awada) is on the road to recovery and is
Jason says: “When one sees a documentary with a title like GIRL MODEL on a festival schedule, it’s probably not a bad idea to schedule a little time between it and the next film to wash a bit of the
Jason says: “By odd happenstance, GIRLFRIEND BOYFRIEND (GF*BF, by the title appearing on-screen) is the second Taiwanese film I’ve seen in as many weeks to start its characters in high school and follow them to the present, and it turns
Jason says: “The ‘ghosts’ of this movie’s title are not supernatural; ‘gwai lo’ in Cantonese is both the word for ghost and slang for white/foreign people, and since this movie posits a future where the Western economies have collapsed… Well,
Bruce says: “The USA started the ball rolling with HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING in 1967 (based on the Broadway show that debuted six years earlier) and Canada gave us THE APPRENTICESHIP OF DUDDY KRAVITZ in 1974.
Gebo and the Shadow (Portugal/France; 95 min.) directed by: Manoel de Oliveira starring: Michael Lonsdale; Claudia Cardinale; Leonor Silveira; Jeanne Moreau; Ricardo Trêpa Bruce says: “This film was my biggest disappointment at the 2012 Toronto International Film Festival. Just when
Jason says: “GANDU is almost more interesting for what it is – an ‘anti-Bollywood’ movie – than as a movie with characters and story and all. Shot in stark black-and-white, and musically propelled by hard-edged Bengali rap, it focuses on
Bruce says: “In Provincetown I described GAYBY as a gay Judd Apatow film, thinking that was a terse description. I did not mean my comment to be pejorative in any way but it did prevent at least one friend from