Jason says: “MON AMI, despite its title, is in English, so its audience needn’t fret about having to deal with subtitles. It’s still rather off the beaten path, a buddy black comedy, with as much enthusiasm as gags involving grievous
Bruce says: “At the end of MISS BALA a statement about drug wars flashes across the screen to inform us how insidious the multi-billion dollar drug business can be in terms of human life – 36,000 people have been killed
Jason says: “The previous film by Yuya Ishii to play Fantasia was called ‘SAWAKO DECIDES’, and to be completely honest, this one could do with a little more deciding and acting on those decisions. As nice as this movie and
Thom says: “Again another major disappointment as wonderful Weerasethakul was another director on the verge of TOP 10 inclusion. After TROPICAL MALADY, SYNDROMES & A CENTURY, & UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES he was this close for
Tom says: “It’s been 9 years since Bertolucci’s last film, the very disappointing THE DREAMERS, a film with a distinct lack of conviction, but the Italian master has been responsible for some of my all-time favorite films including THE COMFORMIST,
Jason says: “It’s not an uncommon occurrence – you see a documentary at a film festival and there’s a Q&A afterward. Someone asks an interesting question, the director gives an interesting answer, and you’re glad you came but kind of
Bruce says: “Much has been said about THE MASTER being a thinly disguised biopic of L. Ron Hubbard and the Church of Scientology. Hubbard may have been the inspiration for the film but THE MASTER is about cultism in general.
Jason says: “For what it is, MANBORG is damn impressive. Director Steve Kostanski estimates that he and his friends made the movie for about a thousand dollars, although I suspect that is the sort of estimate that severely underestimates the
Bruce says: “If you have ever seen Channing Tatum on a talk show, you know that he is very open about his former career as a male stripper. Steven Soderbergh has his own mission of bringing more stories to the
Bruce says: “When directors have had multiple successes there is no reason to doubt that subsequent films will fall flat; yet that is exactly the situation with Ferzan Ozpetek. Here’s hoping that MAGNIFICENT PRESENCE lost its continuity, among other things,