Bruce says: “The value of such films as DAY OF THE FLOWERS lies not in cinematic prowess of any sort. They help us understand the many layers of many cultures that most of us never experience firsthand. On the plus
Chris says: “At the very least, CRYSTAL FAIRY features two irrefutably memorable, if supremely irritating characters, both of them twenty-something Americans in Chile. The first, Jamie (Michael Cera) babbles on pretentiously about The Doors of Perception and harbors an obsession
Jason says: “If movies were graded on a strict plus-minus system, CONFESSION OF MURDER would grade out as average; it’s packed full of silly and unbelievable plotting and twists along with a feeling of missed opportunities with its media satire,
Bruce says: “LES COQUILLETTES is an enjoyable piece of fluff, an example of amateur filmmaking pushing its way into the festival circuit, possibly the mainstream. Anyone can be a filmmaker today especially if they can tap into the beat of
Michael says: “No one has mentioned CONCUSSION in all this, and I have to say, I was quite surprised when Brian pitched it so hard at the Nominating Committee meeting, and even more surprised at how much I enjoyed it.
Kyle says: “THE CONCUBINE received its North American Premiere at the New York Asian Film Festival. Fans of the hit HBO television series GAME OF THRONES will feel right at home, although I am not sure that is the proper
Kyle says: “COMRADE KIM GOES FLYING received its New York Premiere and was hailed by ‘Film Comment’ Editor Gavin Smith as the first North Korean film ever presented at the Film Society of Lincoln Center. The occasion was greeted with
Jason says: “I think I’m done with Andrew Bujalski. I’ve seen three of his four films, and even the one I kind of liked didn’t really impress me. And while I can see some merit in the ones like COMPUTER
Jason says: “THE COMPANY YOU KEEP can play a bit like a brute-force attack at times – sure, it’s kind of slow at times and eventually the audience winds up a couple steps ahead of the protagonist, but every ten
Jason says: “Hideo Nakata’s new one seems to start out with such promise – creepy visuals, a likable lead, the possibility of a whole apartment complex haunted with ghosts, and a knack for building tension out of small, real things