Jason says: “Under normal circumstances, I might grumble about EMPEROR being a case of keeping an interesting story and larger-than-life characters at arm’s length in favor of someone that the audience can perhaps more easily relate to. In this case,
Jason says: “We’ve all heard (or used) some variation on ‘my art comes from a dark place’ before; there’s also its close relative ‘suffering for one’s art’. Not exactly the inspiration you’d expect for a movie named ‘EDDIE: THE SLEEPWALKING
Chris says: “Serviceable—that’s the word I kept thinking of throughout this thriller in which an intelligence agency operative (Brit Marling) infiltrates herself within an eco-terrorist group that targets the agency’s corporate clients. I’m not saying this film, co-written by Marling
Michael says: “Of all of William Faulkner’s catalog, I have only read The Sound and the Fury, but that is enough to tell me that James Franco successfully captures the tone and feel of Faulkner in his co-written adaptation of
Jason says: “You wouldn’t think a genre as hyphenated as the indie-sci-fi-romantic-comedy would have enough entries to have staples, but ‘boy thinks he’s alien/time traveler/robot, making the girl who thinks he’s otherwise sweet uncomfortable’ pops up a fair amount. It
Kyle says: “DUCH, MASTER OF THE FORGES OF HELL was one of the features of the recent series titled ‘Old Ghosts, New Dreams: The Emerging Cambodian Cinema’ shown at the Film Society of Lincoln Center from April 19 to 25,
Kyle says: “The New York Premiere of DRUG WAR brought out enough fans of the great Hong Kong director Johnnie To to fill the Walter Reade Theater, although more than likely, the combination of drugs, cops, criminals and gun battles
Bruce says: “It is impossible to sit through DORMANT BEAUTY and not think about TALK TO HER, Pedro Almodóvar’s brilliant film about the events surrounding two women in comas. While DORMANT BEAUTY also has a similar pair – one on
Chris says: “Joseph Gordon-Levitt is the rare child actor who, as an adult has sculpted a markedly distinct career and identity. He’s also difficult to pin down, having convincingly played everything from a gay hustler (MYSTERIOUS SKIN) to a lovesick
Jason says: “DOOMSDAYS has gags. Lots and lots of gags about a pair of guys who, figuring that the world is going to hell anyway, just walk around taking what they want as they go through a vacation town in