Jason says: “Many elements of PHANTOM are almost certain to remind audiences of THE HUNT FOR RED OCTOBER, and it actually draws heavily on one of the incidents that inspired Tom Clancy’s novel and the later film adaptation – or
Chris says: “Best known for his creative 1960s opening credit sequences (WHAT’S NEW PUSSYCAT?) and truly innovative work on WHO FRAMED ROGER RABBIT?, Canadian-born, British-based animator Richard Williams would have preferred universal recognition for THE THIEF AND THE COBBLER, a
Jason says: “Going by what I find on IMDB (which is not always the safest thing to do), PENGUINS 3D appears to be what you get when you cut a British nature documentary, THE PENGUIN KING 3D, down to half
Michael says: “It may be a little too early to start saying that Iranian director Asghar Farhadi is one of my favorite filmmakers, but he’s batting two for two with A SEPARATION and now the emotionally wrenching THE PAST, actually
Thom says: “It’s been 36 years since director De Palma was in his hey-day as he captured my FILM-OF-THE-YEAR with CARRIE (1976). Since then he’s not been reliable although certainly he’s had such huge successes as SCARFACE and DRESSED TO
Bruce says: “Ulrich Seidl has stirred up a controversy or two with his films IMPORT/EXPORT and PARADISE: LOVE. To understand the fuss it is important to see the film, at least that is the case for PARADISE: LOVE that begins
Jason says: “I was recently reminded that my grandmother reads what I write here, which may be why one of my first reactions to PAPADOPOULOS & SONS was that it would be a good movie to bring parents or grandparents
Jason says: “It is not necessarily difficult for an alternate-reality sci-fi film to hook an audience; it just needs a clever premise and the chance to present it in a familiar setting before playing out how strange it makes the
Jason says: “Addiction to prescription medication is hardly limited to rural America, but it thrives there. The reasons why communities like Oceana, West Viginia have such a serious problem with painkillers like Oxycontin are far from the first concern of
Jason says: “AN OVERSIMPLIFICATION OF HER BEAUTY began life as a short film, ‘How Would You Feel?’, and goes about building that work up to a feature in an unusual way, not so much expanding it but responding to it.